A Quote by Gord Downie
I work at being a better member of my family. So I know that that affects and drifts and soaks into my work, and my art.
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Le Mans is such a great race because you can never do anything alone. You have to work as a team member. And being a team member makes you a better person.
The love for work needs to be re-enthroned in our lives. Every family should have a plan for work that touches the life of each family member so that this eternal principle will be ingrained in their lives.
In the work of art the truth of an entity has set itself to work. ‘To set’ means here: to bring to a stand. Some particular entity, a pair of peasant shoes, comes in the work to stand in the light of its being. The being of the being comes into the steadiness of its shining. The nature of art would then be this: the truth of being setting itself to work.
The work of art is brought into the world without there being a need for it. The house satisfies a requirement. The work of art is responsible to none; the house is responsible to everyone. The work of art wants to draw people out of their state of comfort.
There are two keys to productive missionary work -- (1) family-to-family friendshipping (when a member family shares the gospel with a nonmember family) and (2) cooperation between members and the missionaries to reach people...Every member knows of nonmembers he or she can refer to the missionaries. Every father, mother, and youth in this church should share the gospel by giving a Book of Mormon, telling the account of the Prophet Joseph Smith, or inviting our acquaintances to a special meeting.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
If art doesn't require an audience, can an intimate conversation be a work of art? Can a thought be a work of art? Maybe. I don't know. These questions are completely hypothetical for me, because I love interacting with audiences. I want my poems to be heard.
I love to work, and to make all kinds of work. But if I work on a fashion story then I work for somebody. If I work for me, for an art project, then I'm not that nervous. It doesn't matter when the photo is done. And if I work on a fashion shoot, then I have access to all these things that I can use later for my art - a still life here or there. I can do all of this while the model is changing.
We must share the gospel with others. That is our responsibility-every member a missionary. That is the call of prophets of God. ...Member-missionary work is one of the great keys to the individual growth of our members. It is my conviction that member-missionary work will raise the spirituality in any ward where applied
You shouldn't just work on your jump shot. You should work on being a better person, a better teammate, and a better friend.
I will continue to work for people, but not from any political party. What I can do do as a Rajya Sabha member, I can do without being a member too, perhaps even more efficiently.
People who work for me know that family comes first. And I'm fortunate to have a family that is very supportive of the work I do, so I don't have to live two separate lives.
Part of the discipline of being an editor is that you have to be a good audience member; your work is to be a surrogate audience member on the films you are working on.
In ascending order the qualities of Patriotism are: 1. To work, fight, or die for your own survival. 2. To work, fight, or die for your immediate family. 3. To work, fight, or die for a group, extended family, tribe, or clan. 4. To work, fight, or die for a group too large for all the individuals to know each other. 5. To work, fight, or die for a way of life.
When we look at a painting, or hear a symphony, or read a book, and feel more Named, then, for us, that work is a work of Christian art. But to look at a work of art and then to make a judgment as to whether or not it is art, and whether or not it is Christian, is presumptuous. It is something we cannot know in any conclusive way. We can know only if it speaks within our own hearts, and leads us to living more deeply with Christ in God.
There should really not be anything gratuitous in a work of art. Sometimes what seems as if it's gratuitous may be a passage in which a character is being characterized so that the reader comes to know him or her better.
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