A Quote by Gord Downie
I work a couple of hours a day with a guitar or pushing words around, so over time I have a lot of material, so I don't get into this feast-or-famine situation.
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When I'm writing, which is 8-9 months out of the year, I'm in a concerted writing pace, where I work 5 days a week for at least a few hours a day, maybe a little bit more. But I won't work for more than 2 hours at a time. I'll work for a couple hours and take a break.
I get up now at 5:30 in the morning. I practice the guitar for a couple of hours - I do that before I even start my day.
You may work under incredible pressure over two hours in a day, but you're often around that studio 14 to 16 hours of that day.
Most of the time is with the family. Most of the time, is all the time. When we work it's a very intensive chunk of time. We work for 12 hours a day, 14 hours a day is common. And we'll do that for a few months and then we get to relax a little bit.
My dad is obsessed with music, so I was raised around this guitar player that really wanted me to be a guitar player. One of my earliest memories is him kind of forcing a guitar on all my brothers and me. You know, "You have to practice three hours a day!" I hated guitar at the time. I kind of picked up trumpet to spite him.
I try to block a couple of hours of unscheduled time every day so that I can work on the day's most important projects.
I could care less about sitting around and practicing the guitar for hours a day and trying to be the best guitar player on the planet.
During election time, I work over 21 hours. My day starts around 6 A.M., and I address meetings through the day. Between 10 P.M. and 2 A.M., I meet local leaders, where we discuss local issues and local problems.
When you first quit your regular job and you become a full-time writer, you are paralyzed with free time. You have so much free time. When you are at home, you have a guitar. There's a cat. You got to find ways to create an environment when writing is like going to work. Be efficient with the hours you put into the book. So I go there the same time, every day - like 7:30 am - and I leave around 2 pm, or longer, if I have a deadline.
Do I start with the lyrics? No. Quite honestly, it's the opposite. I generally get the melody first - I kinda fiddle around on the guitar and work out a melody. The lyrics are there to flesh out the tone of the music. I've tried before to do things the other way around, but it never seems to work. Obviously, I spend a lot of time on my lyrics, I take them very seriously, but they're kinda secondary. Well, equal, maybe. I think sometimes that if you write a poem, it should remain as just a poem, just... words.
A typical workday for me is getting up at about 5:00, 5:15 in the morning, getting some coffee or tea as quickly as possible, and then getting to my desk. And ideally, I'll start writing around 5:30, 5:45, and I'll write for three, four hours, and then I'll take a break, and read over what I write. Maybe about lunchtime, I'll go exercise or get out into the day. Then I'll either read over what I wrote the day before and quit work around 3:00 or 4:00 in the afternoon and spend some time with my kids.
I work 15 hours a day and still go to the gym. Most people work eight hours a day and say, 'I haven't got time to work out.'
You do show after show after show and get them done and on the air. Television devours material. We work a minimum of 12, 14 hours, and often 15, 18 hours a day.
Sometimes I just start humming something, find a melody I like a lot, and if it sticks around for a couple days, a few words will lock themselves into place. I might just get the first line. Then words just keep falling into the syllables. The choruses kind of write themselves and verses I have to work at a little bit.
I always have a guitar with me. Actually, I've got several, I play every day. And I enjoy it. I'm never very far away from them. I swear I only ever get a couple days when I'm away from a guitar, and I never like it! There's always one close by, and I play every day. Or I'll be working on something in the studio and play around a bit. It's an extension of me, really.
Theresa strode over to us in a swish of cloth. "Enough of this, animator. He can't do it, so he pays the price. Either leave now, or join us at our...feast." Are you having rare Who-roast-beast?" I asked. What are you talking about?" It's from Dr. Seuss, How the Grinch Stole Christmas. You know the part, 'And they'd Feast! Feast! Feast! Feast! Feast! They would feast on Who-pudding and rare Who-roast-beast.'" You are crazy." So I've been told.
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