A Quote by Gordon Cooper
A saucer flew right over (us), put down three landing gears, and landed out on the dry lakebed. (The cameramen) went out there with their cameras toward the UFO.... I had chance to hold (the film) up to the window. Good close-up shots. There was no doubt in my mind that it was made someplace other than on this earth.
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While working with a camera crew supervising flight testing of advanced aircraft at Edward's Air Force Base, California, the camera crew filmed the landing of a strange disc object that flew in over their heads and landed on a dry lake nearby. A camera crewman approached the saucer, it rose up above the area and flew off at a speed faster than any known aircraft.
My take on what happened with the moon landing was [......] they suspect [ sic ] that on impact that the cameras would be damaged because back in 1969 cameras weren't, you know, like they are today, as good. So they had a studio set up at CBS to mimic the moon landing. And sure enough the cameras broke and so they flipped, you know, the CBS studio on. And what you saw of the footage of the '69 moon landing was actually at CBS studio.
So they were turning, after all - those cameras. Life, which can be strangely merciful, had taken pity on Norma Desmond. The dream she had clung to so desperately had enfolded her. Norma: You see, this is my life. It always will be! (In a whisper) There's nothing else - just us - and the cameras - and those wonderful people out there in the dark. All right, Mr. De Mille, I'm ready for my close-up.
The bluebells made such a pool that the earth had become like water, and all the trees and bushes seemed to have grown out of the water. And the sky above seemed to have fallen down on to the earth floor; and I didn’t know if the sky was the earth or the earth was water. I had been turned upside down. I had to hold the rock with my fingernails to stop me falling into the sky of the earth or the water of the sky. But I couldn’t hold on.
I have three older sisters who, when we were children, used to hold me down on a bad day and put make-up all over me, so I've had an aversion to it all my life and hate sitting down in the make-up chair.
Men first make up their minds (and the smaller the mind the sooner made up), and then seek for the reasons; and if they chance to stumble upon a good reason, of course they do not reject it. But though they are right, they are only right by chance.
One time I dropped a fly ball in Milwaukee and, after the game, the writers asked me what happened. I told them, 'Well, I was looking up and a UFO flew right across. It was weird. I never saw anything like that in my life.' Man, I was only joking and they wrote it up and put it in the paper.
I'm not a guy who is out there looking to get his game going or put up shots; I'm out there to win, and I don't care if I'm playing three or 30 minutes.
In the Negro Leagues, we'd play three games a day on the weekends. Then we'd ride the bus and travel to play the next day someplace else. You'd hang your shirt out the bus window to dry.
Just had a close call landing in Tampa. The tires blew out upon landing.
I wanted to stimulate thought instead of throwing things out or try to give a perspective. I just put stuff up and it's up for two or three weeks and I get tired of it, so I take it down and put something else up.
Chilled-looking people walking along the riverside, the snow beginning, faintly, to pile up on the roofs of cars, the bare trees shaking their heads left and right, dry leaves tossing in the wind. The silver of the metal window sash sparkling coldly. Soon after, I heard sensei call, "Mikage! Are you awake? It's snowing, look! It's snowing!" "I'm coming!" I called out, standing up. I got dressed to begin another day. Over and over, we begin again.
I flew over to Birmingham and did half a dozen scenes or so as a pastor in the film. I had a great time. I look forward to seeing the final version. I also am good friends with the Erwin Brothers who are co-directing and producing the film with Kevin. They also helped with Courageous. It's kind of a small little family in this arena and we love helping each other out.
When I photographed Marilyn Monroe, I mixed up my cameras - one had black-and-white film, the other color. I took many pictures. Only two color ones came out all right. My favorite picture of Marilyn hangs always on the wall in my office. It was taken on the little patio of her Hollywood house.
On the journey of the warrior-bodhisattva, the path goes down, not up, as if the mountain pointed toward the earth instead of the sky. Instead of transcending the suffering of all creatures, we move toward turbulence and doubt however we can. We explore the reality and unpredictability of insecurity and pain, and we try not to push it away. If it takes years, if it takes lifetimes, we let it be as it is. At our own pace, without speed or aggression, we move down and down and down. With us move millions of others, companions in awakening from fear.
I had to come out to my mother three times over a twelve-year period, but I first came out to her when I was sixteen. It didn't go over so well, because I grew up in the Pentecostal Church. It was a very strict environment. She has since done a lot of work and has really blown my mind. She has learned about my life and has changed her mind.
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