A Quote by Gordon Getty

I've managed to dodge the curse. Not all my family have. Of course, music helped me - music is all about civilization, about something worthwhile. It's all about ideas. — © Gordon Getty
I've managed to dodge the curse. Not all my family have. Of course, music helped me - music is all about civilization, about something worthwhile. It's all about ideas.
Ive managed to dodge the curse. Not all my family have. Of course, music helped me - music is all about civilization, about something worthwhile. Its all about ideas.
My music does say a lot about me and what I went through. All the songs are about things I have gone through and what I am thinking. I wrote about my family, friends and boys, of course, and about life.
You can learn to write. But what you write is something that depends on your taste and on your vision or whatever. Also, of course, the music I listened to inspired my idea of music. When people ask me "Where's your inspiration? Where does it come from?" I have no idea. Music is about music. Not about life and love.
My family have always supported my rap - and they know I love them when I rap about them - but I'm just Michael Jackson to them. They care more about me. I express my love for them in a much more personal way on this record. It's about our conversations; my fear, and their advice. I know my sisters are gonna hear "Willie Burke Sherwood", which is named for my grandfather, and cry. I used to do music for me, because my ego needed it, but now I'm doing music for my family and friends who helped me become a rapper.
I came up during that time when music, to me, was really music. It wasn't about talking about a woman and calling them a derogatory name or something like that. It was real music.
Rock 'n' roll is about music. Music. Music. Music. It's not about you, it's not about me, it's not about Oasis. It's about the tunes.
The two most important things is, one, the music in my life, and the family. It's somehow connected because music is about human beings, about love, about hate, about everything that happens in life.
There are different people who got me into music, but what I liked about Beethoven is that even when I didn't understand it or it was too long, there's still something about it that drove me to it. Then it got me excited about actually learning music, like a theory of it.
One of the big mysteries of music is, if you take music without words, it means something to us because we know it's about something. It's about something important humanly, but since there are no words, nobody knows what it's about.
When I was a young teenager, it was all about The Clash for me and that sort of English punk stuff. Then the Clash led me to all these other kinds of music: classic rock, Stevie Wonder, world music, and Brazilian music. I got serious about jazz when I was probably about 14 or 15.
I love music with everything I have, and when I am in a front of a classroom talking about music sometimes someone will ask me a question and it reminds me to really think about something, to really feel something.
Once I re-approached music I had to do it in a way that wasn't so personal for me to feel comfortable releasing it into the world. Well, of course some of them are, but I would never talk in an interview about exactly what a song is about. I like to keep my music and my life separate.
For me, writing music is a way of processing the world. It's not a concrete thing, as in, "This piece is about giraffes." It's much more of an emotional sort of thing. I want people to find something out about themselves through my music, something that was inaccessible before, something that they were suppressing, something that they couldn't really confront.
Music is one of my big interests - I once had a rather fanciful ambition to be a singer - and of course music is philosophically fascinating. What it is for music to express emotion strikes me as one of the most difficult questions - it's hard to say what it precisely means, although it plainly does mean something. But whenever I have tried to say something about this, it has come out as either banal or pretentious or both.
To get large groups of people to dance, there needs to be something accessible about the music. The beat can't be too esoteric, but unless we're talking about prog or etherealist composition, I think there's something simplistic about most music. What's completely insane to me is that people would consider music that's simple to be dumbed-down. Couldn't simplicity be a deliberate, smart choice? Those people aren't really listening; they're judging a song off of a beat, off of a pulse.
I was in the projects dreaming about doing music and now I've done music. When I had nothing to when I had something I still have this driving force that's fueling me every day and that's making ideas reality.
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