A Quote by Gordon Hayward

I've certainly had shooting slumps in the past. It's nothing new. You go through stretches like that. — © Gordon Hayward
I've certainly had shooting slumps in the past. It's nothing new. You go through stretches like that.
There's certain points in the season - I think players go through it and teams go through it - where you just have stretches and you're stuck in a rut or you feel like nothing's going right. You just got to keep grinding, and eventually it'll turn.
In a season, you're going to go through slumps.
That's part of the game. People go through slumps.
We learn in the past, but we are not the result of that. We suffered in the past, loved in the past, cried and laughed in the past, but that's of no use to the present. The present has its challenges, its good and bad side. We can neither blame nor be grateful to the past for what is happening now. Each new experience of love has nothing whatsoever to do with past experiences. It's always new.
Currents of energy shimmer through our bodies. Like shooting stars, we rocket through spacious stillness. But this silent, unmoving background is nothing like the granite ideas we use trying to take root in groundless soil.
Shooting in New York can be a problem... I had to walk through a crowd, come in the front door, and play the scene.
I'm quite a loser. I've done nothing in my life for the past 12 years. I'd just eat, sleep, run and do nothing except shooting.
You go through slumps in this game, and you just have to work through them. You're going to miss putts out on an LPGA tour and have bad rounds. You just have to think to yourself that you always have tomorrow, and you're lucky enough to be out here just playing golf for a living.
I took to New York life like a star shooting through the heavens.
It is not "forgive and forget" as if nothing wrong had ever happened, but "forgive and go forward," building on the mistakes of the past and the energy generated by reconciliation to create a new future.
Don´t be unnecessarily burdened by the past. Go on closing the chapters that you have read; there is no need to go back again and again. And never judge anything of the past from the new perspective that is arriving, because the new is new, incomparably new and the old was right in its own context, and the new is right in its own context.
Remember I came to Albuquerque to do a hair and makeup test and wardrobe fitting; you guys were already shooting. It's tough when the movie's already started and you kind of show up. You're the new kid on the block. I walked onto the set and Tommy [Lee Jones] was about to do the scene. I just kind of walked up to him. I was shaking, but I just gave him this big hug and he just had nothing to say. He was like, 'Gotta go to work now.' I had a great time working with him."
I've had varying luck with comedy in the past, but I'd really like to give that another go. I don't know if I'd chase down a part, but if the right thing came along I could certainly see myself stepping into that zone.
In order to make Alma innocent and open, I had to forget that I'm stressed as an actress because I'm making a film with Paul Thomas Anderson. I had to let go of everything and hold onto the text. The language was like a rope I could cling onto and make my way blindfolded through the shooting.
The man who is asleep reacts; he knows nothing of action. And reaction is a binding: it binds you into new prisons, new chains. Response is out of freedom, hence it brings more freedom. Reaction is out of the past; you act according to your memories, built-in by your experiences, conditionings. You react not to the present, not in the present. You don`t reflect the real situation as it is; you go on interpreting it according to your past, your past experiences. The man who is awake is like a mirror: he reflects that which is the case. HE IS AWAKE.
You're going to go through some tough stretches. You've got to continue to stay positive, continue to press through it.
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