A Quote by Gordon Hempton
How are we going to know what sounds are important before we've even heard those sounds? It's an absurd question. The only thing we can say is that we're going to base it on our past experience. In other words, modern listening doesn't inform us of anything new. It simply keeps us in the past.
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Often, I think you find that you're enjoying certain things, you've got this new way of listening, and you find that you really enjoy the way that sounds on it and the way this other thing sounds on it and the way that other thing sounds on it. So, you're finding a new pleasure that you didn't know about before.
Listening to the birds tells you different things about a place. I heard bird sounds I'd never heard before. I heard street sounds and country sounds and city sounds that are very different from what it is I'm used to and I get very fascinated about how that marks a place.
I think whatever we've done as a band at The Clientele, we've done because it's so natural. Our "old" sound isn't really like any actual bands from old times. We take elements of past music styles and past sounds as a way to... this is going to sound very pretentious and perhaps overly thought-out, but as a way to strike chords of vague nostalgia, and strike chords of, "I've heard this before somewhere." That's what a lot of our music is about in terms of the words and ideas behind it, so we really use old sounds as a way to serve that agenda.
Healthy areas that are richest in information are those areas in the wild where we can get all the information that's available to us within our human hearing range. The most valuable information throughout human evolution has been faint sounds. We tend to think in our modern world that if it's loud, if it grabs our attention, it's important. We get a lot of that in advertising. But in nature, it's the faintest sound that's important; it has determined, in the past of our ancestors, perhaps, if they will live or die. Faint sounds are the earliest clues of newly arriving information.
I'm just not somebody who can sit around doing nothing, and all of us in the Foo Fighters have our own things outside of the band. I'm not going to use the cliche that those outlets bring us back fresh and with new ideas, but what I will say is that it keeps us all feeling free - and that creative freedom is a very positive thing.
I don't understand anything technical about music at all. I don't understand any of it, why you can't put these sounds together with those sounds. I only know what sounds good.
Keep in mind how fast things pass by and are gone - those that are now, and those to come. Existence flows past us like a river; the "what" is in constant flux, the "why" has a thousand variations. Nothing is stable, not even what's right here. The infinity of past and future gapes before us - a chasm whose depths we cannot see.
I want to write about the great and powerful thing that listening is. And how we forget it. And how we don't listen to our children, or those we love. And least of all - which is so important, too - to those we do not love. But we should. Because listening is a magnetic and strange thing, a creative force...When we are listened to, it creates us, makes us unfold and expand. Ideas actually begin to grow within us and come to life.
I think all in all, one thing a lot of plays seem to be saying is that we need to, as black Americans, to make a connection with our past in order to determine the kind of future we're going to have. In other words, we simply need to know who we are in relation to our historical presence in America.
The past is the past. We're not going to spend energy on the past, because it's going to detract from us going forward.
How unutterably sweet is the knowledge that our Heavenly Father knows us completely. No talebearer can inform on us; no enemy can make an accusation stick; no forgotten skeleton can come tumbling out of some hidden closet to abash us and expose out past; no unsuspected weakness in our characters can come to light to turn God away from us, since He knew us utterly before we knew him and called us to Himself in the full knowledge of everything that was against us.
In vain do we seek tranquility in the desert; temptations are always with us; our passions, represented by the demons, never let us alone: those monsters created by the heart, those illusions produced by the mind, those vain specters that are our errors and our lies always appear before us to seduce us; they attack us even in our fasting or our mortifications, in other words, in our very strength.
Do not allow past experiences to be imprinted on your mind. Perform asanas each time with a fresh mind and with a fresh approach. If you are repeating what you did before, you are living in the memory, so you are living in the past. That means you don't want to proceed beyond the experience of the past. Retaining that memory is saying, 'Yesterday I did it like that.' When I ask, 'Is there anything new from what I did yesterday?' then there is progress. Am I going forward or am I going backward? Then you understand how to create dynamism in a static asana.
We're all about exploring new sounds, so we don't have any limits whatsoever about how we go about finding them. We do tend to sample human vocals or sample sounds, which allows you to create your own sound. That's not our only way obviously, but that's a way you can use a sound no one's used before; it's not a sound in the synth. There's a lot of that going on in our songs in general.
You may have heard me say that I am going to create a safe, fair, affordable city for all New Yorkers. But you have probably heard other candidates say that before. What I want you to know is that those will be my priorities because those issues aren't political to me; they're personal.
At birth we begin to discover that shapes, sounds, lights, and textures have meaning. Long before we learn to talk, sounds and images form the world we live in. All our lives, that world is more immediate than words and difficult to articulate. Photography, reflecting those images with uncanny accuracy, evokes their associations and our instant conviction. The art of the photographer lies in using those connotations, as a poet uses the connotations of words and a musician the tonal connotations of sounds.
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