A Quote by Gordon Hempton

I'm very thankful, hearing impairment or not, that I've brought listening into my life. I will never say that I'm a good listener, however. Thinking that I was a good listener was one thing that kept me from being a good listener. It's a very dangerous thought. I just want to be better.
When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
I have this ideal listener, as John Cage did. This listener doesn't bring expectations that my music will fit into some part of music history, or that it will do any particular thing. This listener is just open to listening.
A good listener is not someone with nothing to say. A good listener is a good talker with a sore throat.
The best thing I could say is you do have to be a really good listener. If I go to a family reunion, and there's 400 people there, everybody comes up and tells me their stories, right? And I think that when you're a good listener, and you can imagine how someone's talking, dialogue is your key friend, is it not?
The reason that I'm considered to be prolific is just because I'm a good listener. It literally is me taking dictation when I write. I'm listening and typing as fast as I'm hearing the words.
The challenge for a good musician is to bring out compositions that seem fresh to the listener, even if the listener has heard the song or the composition before.
Listening is as important as talking. If you're a good listener, people often compliment you for being a good conversationalist.
I think, to be a great conversationalist, you need to be interested in being in said conversation. Oddly enough, I think you need to be a great listener, and I do think I'm a good listener. I think that's my asset - I always listen to people when I talk to them, and that's a big thing you have to have in life and in podcasts.
Something I always tell students is, when you're writing something, you want to write the first draft and you want it to come out easily in the beginning. If you're afraid to say what you really have to say, you stammer. When you're thinking of your listener, that's when you start stuttering and it's just because you're nervous that your listener is passing judgment.
I'm not sure it's a better music world of appreciation and performance. I think the listener is a different guy, and listening is something he does in passing, with other stuff going on. There's less care and understanding of the relationship between the song and the listener.
The desire of advising has a very extensive prevalence; and, since advice cannot be given but to those that will hear it, a patient listener is necessary to the accommodation of all those who desire to be confirmed in the opinion of their own wisdom: a patient listener, however, is not always to be had; the present age, whatever age is present, is so vitiated and disordered, that young people are readier to talk than to attend, and good counsel is only thrown away upon those who are full of their own perfections.
Being a good listener is more than just being quiet. It's reflecting back on what you're hearing. It's processing the information to formulate a question, a comment or a speech.
I'm a very good listener. I think that's one of the things that makes me a good producer. But it's a challenge for me because my custom is to listen and absorb what someone is saying and take it in, and not necessarily comment.
A good listener is very nearly as attractive as a good talker. You cannot have a beautiful mind if you do not know how to listen.
Sometimes I wish I could walk up to my music as if for the first time, as if I had never heard it before. Being so inescapably a part of it, I'll never know what the listener gets, what the listener feels, and that's too bad.
It’s like someone who prays every night saying God’s a good listener. Just because you’re talking to us doesn’t mean we’re listening. With me and God, you never really know.
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