A Quote by Gordon Lightfoot
I wrote one called 'The No Hotel.' I got inspired in 1989 while I was on a trip down to Brazil, and I didn't finish it until eight years later.
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I wrote 'Big Yellow Taxi' on my first trip to Hawaii. I took a taxi to the hotel and when I woke up the next morning, I threw back the curtains and saw these beautiful green mountains in the distance. Then, I looked down and there was a parking lot as far as the eye could see, and it broke my heart this blight on paradise. That's when I sat down and wrote the song.
Cartola is an artist from Brazil who didn't record until much later in his life, but had a big influence on a lot of famous artists down there, like Gilberto Gil. I discovered his music recently when I was in Brazil.
It's more in retrospect as I've thought about it over the years and look back at what I wrote, how I wrote things - like there's a song that Ralph Stanley later recorded with me that he had guested on my record what was called "Travelers Lantern" that I wrote as basically, you know, a hymn.
I got into politics when I was eight years old. Six years now. And I got involved because I started listening to talk radio. It goes back to one event. The Democrats filibustered something in the Senate when I was eight years old. I don't remember what it was on and I didn't honestly care when I was eight years old. I cared about the history and the Senate rules.
From Lady Carlisle's trip to Moscow in 1663 to Veronica Atkinson's tour of duty during the 1989 Romanian revolution, it is clear that very little has changed. Four hundred years of innovation, liberation, and improvement clearly bypassed the Foreign Office while making its rounds through Westminster.
Put off finish as it takes a lifetime - wait until later to try to finish things - make a lot of starts.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
While visiting Costa Rica, I was inspired to hear that someone had donated a playground to a local school. So when I returned to L.A., one day I just called the principal of a nearby elementary school and asked what I could do. Five years later, I've helped make over nine schools, repainting, renovating, and fixing up playgrounds.
When I wrote 'Savage Season,' it was three years later before I wrote the second Hap and Leonard novel. Whenever I wrote one, I never intended to write the next one.
I think I had the smallest handle around. When I got my bats, I even trimmed them down. I used to scrape them. Some years later when I started getting older, I used to start with a 33 and in the summer it got down to 31 and then probably in September got down to 30.
I didn't finish the stories until we went to the Philippines and I got malaria. I couldn't work and I didn't have any money, but I had seven stories. So I wrote three or four more.
The first song that I remember writing in its entirety was when I was 9 years old. I wrote it on a bus, on a field trip. It was called 'Mystery Man,' and in retrospect, it was the beginning of my exploration of what it was like to have a man in your life, because I didn't.
I won my first Champions League in 1989, and I won my last one 18 years later.
For eight years I did effects for other movies until I got my movie made.
For eight years I did effects for other movies until I got my movie made
Buddha is said to have given a "silent sermon" once during which he held up a flower and gazed at it. After a while, one of those present, a monk called Mahakasyapa, began to smile. He is said to have been the only one who had understood the sermon. According to legend, that smile (that is to say, realization) was handed down by twenty-eight successive masters and much later became the origin of Zen.
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