A Quote by Gordon Parks
And I think that after nearly 85 years upon this planet that I have a right after working so hard at showing the desolation and the poverty, to show something beautiful for somebody as well.
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There's something about night and day, and life and death, but animals are also mentioned a lot of times in the bible, showing up in places of desolation, or after destruction, or after the humans left the place, suddenly they would show up.
The same costume will be Indecent ten years before its time, Shameless five years before its time, Outre (daring) one year before its time, Smart (in its own time), Dowdy one year after its time, Ridiculous twenty years after its time, Amusing thirty years after its time, Quaint fifty years after its time, Charming seventy years after its time, Romantic one-hundred years after its time, Beautiful one-hundred-and-fifty years after its time.
Emptiness and boredom: what an understatement. What I felt was complete desolation. Desolation, despair, and depression. Isn't there some other way to look at this? After all, angst of these dimensions is a luxury item. You need to be well fed, clothes, and housed to have time for this much self-pity.
...the hard work and poverty of my childhoodturned out to be my greatest asset in later years. Nothing could ever seem too hard after that.
There is a statistic I heard a number of years ago: if you know somebody who is 85 years old, that person was born into a world that had a third as many people as the world does today. The population has tripled in the past 85 years.
After working in cities for nearly 40 years, I am telling you that every city can improve its quality of life in less than three years, no matter the scale or the financial conditions.
A few hundred years ago, perhaps 85 or even 90 percent of humanity lived below a standard of living that today only 40 or 45 percent fail to reach. But at that earlier time only part of this poverty could have been eradicated, and this at substantial cost not only to the pleasures of the affluent, but also to their well-being and to human culture. In our time, nearly all severe poverty could be eradicated at a cost to the affluent that is truly trivial.
Let's at least acknowledge who is working in America right now and what our needs are, as well as the moral question of somebody who's been here 20 years, paying taxes to which they probably do not receive a refund, and not committing any crimes, working hard, and supporting an industry. Shouldn't there be some middle ground here? Shouldn't there be a way for them to be welcome in this country?
After working so hard in 'PKP 1,' I made a space for myself in the film world. Why would I give it away to somebody else? Shouldn't I be benefitted from that image if I have created something for myself?
I wanted to quit the industry when I was eighteen and finish '70s', finish my contract on the show and go to college because I was pretty convinced that after '70s' and after being on a show for eight years that I would be very much pigeonholed for something specific that I didn't want to be a part of anymore.
I tried during the 1974 campaign to show my husband not as the aloof intellectual people think he is, but the warm, passionate man I know. But the day after the election - after I'd worked so hard - I was put back on the shelf. I was devastated.
After I finished working on the movie, I went back into the show again playing Riff, so it was an incredible time because I loved playing Riff in the theater and, of course, I loved playing Bernardo in the film. We had such a really beautiful time. We knew we were working on something of quality.
After sex, after coffee, after everything there is to be said --
The hovering and beautiful alphabet as we form our first words after making love.
And somehow I'm still alive.
Weirdly, the people complaining about the healthcare website not working after three weeks were quiet about the Iraq war not working after eight years.
In general, in painting sometimes people like Picasso or somebody are not very well known in the beginning, sometimes they become well known just before they die, or sometimes after they have died. I think these people start to be artists after they've stopped existing.
I knew Deng Xiaoping when he came out of prison. He had, after all, been imprisoned for nearly ten years by Mao. I know what China looked like before he took over, and so in my own mind, I don't think of Deng Xiaoping as an oppressor. I think of somebody who, faced with that crisis, made a very painful and decision with which I cannot agree. But I also think of him as a great reformer.
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