A Quote by Gordon Parks

I've been with Life now for seventeen years and I have written several articles for them and will be doing more writing and do at least two assignments a year besides my writing.
In eleven or twelve years of writing, Mike, I can lay claim to at least this: I have never written beneath myself. I have never written anything that I didn't want my name attached to. I have probed deeper in some scripts and I've been more successful in some than others. But all of them that have been on, you know, I'll take my lick. They're mine and that's the way I wanted them.
Be ruthless about protecting writing days....althoug h writing has been my actual job for several years now, I still seem to have to fight for time in which to do it.
I have been approached now and again about sitcoms, but, with very few exceptions, one simply needs to move to L.A. for at least a year or two these days if one wants to develop a series - which is what writing a pilot means. I've also been approached about writing episodes for sitcoms, but in order to do that one actually has to watch sitcoms. . . . Life's too short for television, and I don't what it on my actual gravestone, HE STARED AT A BOX FOR 10,000 HOURS.
I taught writing classes at the University of Pennsylvania for a number of years and I realized that all you can do is encourage people and give them assignments and hope they will write them.
If you are making money writing, you are doing great. If you can support yourself writing, you are a success. I don't care if you're writing textbooks or Pulitzer Prize-winning articles for weighty publications of world renown: If you're writing and it's paying the bills, consider yourself a successful writer.
My work is very eclectic. I write books that range from writing fiction, writing fable where I am very directly trying to imagine alternate worlds, to writing about [Buckminster] Fuller who was the ultimate world man creating all sorts of alternate worlds and believing that they were imminent to my own work of - for instance, a project that I've been working on for some year and a half, two years now that continues to evolve has been what I call Deep Time Photography.
I don't enjoy writing newspaper articles any more than people like reading them. I'm a standup comic, not a journalist, although sometimes onstage I will say: 'What else is in the news?' Writing is work, which I'm not comfortable with.
My three years in Manhattan were sort of my university years. I was learning by myself, and it was a tough time. That's when I began writing articles for newspapers back home about life in New York. This interest took over, and I moved from painting to writing.
I actually was doing ghostwriting jobs since I was 17 years old, so I've been supporting myself off and on with writing jobs for almost 10 years. But those were all things that I did off the books. And now I do a lot more writing on the books.
If we got writing assignments in English class to make up a story, that was when the glimmer of creativity popped out. That was way more interesting to me than writing down my life details.
I havent been doin much comic book writing for the last several years though, as Ive been writing television projects and a novel.
Writing takes gall. I like to think that's true even for writers with several books under their belt, writers who have been doing it for years. It takes something - guts, gumption, self-delusion - to ask for a reader's time when we all know there's nothing new under the sun; that it's all been said, or written, before.
For several years I've been writing 100-word pieces. More recently I've been putting them together in groups of two and three. I don't see them as sequences, but rather as companion pieces, the way that diptychs often work. The idea comes originally from the paintings of Michael Venezia who places blocks of painted wood next to each other. Proximity is a godsend. The quote is from Wallace Stevens.
A book is not an example of 'women's writing' simply because it is written by a woman. Writing may become 'women's writing' when it could not have been written by a man.
I've been writing a lot more, I believe, because of the Internet. I've been posting stuff that I've written and I've just been writing.
I've got at least two major project ideas that I've been chewing on for several years in my head and I've been trying to resist them both. But I have learned over the years that when they don't go away and they're still in there, you probably have to resign yourself to the fact that you're going to do something about them.
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