A Quote by Gordon S. Wood
Perhaps more significant than his experience in Europe, though, was [John] Adams's experience in his own country, and his extensive reading on the history of the English constitution. In 1779, he had an opportunity to try out his ideas by framing the Massachusetts constitution.
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I think [John Adams's] influence on the federal Constitution was indirect. Many including James Madison mocked the first volume of Adams's Defence of the Constitutions of the United States in 1787. But his Massachusetts constitution was a model for those who thought about stable popular governments, with its separation of powers, its bicameral legislature, its independent judiciary, and its strong executive.
[John] Adams never had an optimistic view of human nature, and his experience in the Congress and abroad only deepened his suspicion that his fellow Americans might not have the character to sustain a republican government.
The ordinary method of education is to imprint ideas and opinions, in the strict sense of the word, prejudices, on the mind of the child, before it has had any but a very few particular observations. It is thus that he afterwards comes to view the world and gather experience through the medium of those ready-made ideas, rather than to let his ideas be formed for him out of his own experience of life, as they ought to be.
[John Adams's] vividly descriptive prose is supremely quotable. Adams wears his heart on his sleeve and reveals all of his ambitions, doubts, and insecurities, especially in his diary, which is one of the greatest and most readable in all of American literature.
[John] Adams was arguing that a separate social order existed that needed to be embodied in senates and his fellow Americans could not accept this and accused him rightly of being obsessed with the English constitution.
The evil of the actual disparity in their ages (and Mr. Woodhouse had not married early) was much increased by his constitution and habits; for having been a valetudinarian all his life, without activity of mind or body, he was a much older man in ways than in years; and though everywhere beloved for the friendliness of his heart and his amiable temper, his talents could not have recommended him at any time.
You have to get beyond your own precious inner experiences. The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings. The ideas of the great playwrights are almost always larger than the experiences of even the best actors.
[John Adams] diary, of course, is even more revealing of his feelings. Both his letters to [his wife] Abigail and his diary tell us what he really thinks about people and events.
Communion with God as we hear his voice is rich. We receive his meanings; we submit to his authority; we grow by his power that is at work in our lives through his words; and we experience the glory of his personal presence as we hear him. These aspects go together, though we may sometimes be more conscious of one aspect.
As the patriots of seventy-six did to the support of the Declaration of Independence, so to the support of the Constitution and Laws, let every American pledge his life, his property, and his sacred honor;-let every man remember that to violate the law, is to trample on the blood of his father, and to tear the character of his own, and his children's liberty.
[Benjamin] Franklin may be a great philosopher, [John Adams] told his diary in 1779, but "as a Legislator in America he has done very little."
His Holiness Pope John Paul II was a determined and deeply spiritual minded person for whom I had great respect and admiration. His experience in Poland, then a communist country, and my own difficulties with communists, gave us an immediate common ground
It was [John's Adams] Massachusetts constitution if anything that influenced people.
An actor must interpret life, and in order to do so must be willing to accept all the experiences life has to offer. In fact, he must seek out more of life than life puts at his feet. In the short span of his lifetime, an actor must learn all there is to know, experience all there is to experience, or approach that state as closely as possible. He must be superhuman in his efforts to store away in the core of his subconscious everything that he might be called upon to use in the expression of his art.
The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings.
The young man who addresses himself in stern earnest to organizing his life-his habits, his associations, his reading, his study, his work-stands far more chance of rising to a position affording him opportunity to exercise his organizing abilities than the fellow who dawdles along without chart or compass, without plan or purpose, without self-improvement and self-discipline.
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