A Quote by Gordon T. Smith

I just can't imagine my life without Dostoevsky and The Brothers Karamazov. I can spin off of that and talk about Crime and Punishment and Tolstoy. I could talk about other novels, but for me it's Dostoevsky. His sheer size and grandeur, his sacramentality, his ecclesiology, and his sense of the human predicament are as powerful as it gets. Can't imagine not reading the Russians.
Dostoevsky wrote fiction about identity, moral value, death, will, sexual vs. spiritual love, greed, freedom, obsession, reason, faith, suicide. And he did it without ever reducing his characters to mouthpieces or his books to tracts. His concern was always what it is to be a human being—that is, how to be an actual *person*, someone whose life is informed by values and principles, instead of just an especially shrewd kind of self-preserving animal.
Out of Dostoevsky: Kafka. Out of Tolstoy: Margaret Mitchell. (in conversation, explaining his dislike for Tolstoy)
Consider any individual at any period of his life, and you will always find him preoccupied with fresh plans to increase his comfort. Do not talk to him about the interests and rights of the human race; that little private business of his for the moment absorbs all his thoughts, and he hopes that public disturbances can be put off to some other time.
Depending on the year or the therapist he was seeing, he'd learned to ascribe just about every facet of his character as a psychological reaction to his parents' fighting: his laziness, his overachieving, his tendency to isolate, his tendency to seduce, his hypochondria, his sense of invulnerability, his self-loathing, his narcissism.
It's difficult to talk about [W.S.] Merwin's poems, as it's hard to talk about a feeling or a smell. It is what it is, but so much so that it overwhelms both sense and the senses. I aspire to something about his work, that imbues his poems, though I'm not sure I could say what that is. A purity, maybe, the kind of purity that comes from being beaten, like steel.
When my father would come home from his work at the Senate and talk about the things he could talk about - because a lot of his work was top secret - he would always tell me these stories and laugh. As deadly serious as his work was, he would laugh at the absurdity of it all.
Elvis Presley - his music, his movies, his photos. I come across a new image of him every day and try to imagine what he was thinking, what inspired him. His talent and beauty were just incredible, and his passion for life, family, and friends inspires me.
Imagine being able to make it difficult for an ISIS commander to talk to his fighters in the field just by placing a piece of malware on his computer network.
Once in his life, a man ought to concentrate his mind upon the remembered earth, I believe. He ought to give himself up to a particular landscape in his experience, to look at it from as many angles as he can, to wonder about it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of noon and all the colors of the dawn and dusk.
These books have not made George nobler or better or more truly wise. It is just that he likes listening to their voices, the one or the other, acording to his mood. He misuses them quite ruthlessly - despite the respectful way he has to talk about them in public - to put him to bed, to take his mind off the hands of the clock, to relax the nagging of his pyloric spasm, to gossip him out of his melancholy, to trigger the conditioned reflexes of his colon.
I know he's not an MMA fighter, but can we just talk about how great Deontay Wilder is? He's must-see TV. Not since Mike Tyson has boxing had an American heavyweight who could hit like him... and talk like him, too. I love his interviews, his demeanor, his fighting style... the whole package.
As soon as a man recognizes that he has drifted into age, he gets reminiscent. He wants to talk and talk; and not about the present or the future, but about his old times. For there is where the pathos of his life lies - and the charm of it. The pathos of it is there because it was opulent with treasures that are gone, and the charm of it is in casting them up from the musty ledgers and remembering how rich and gracious they were.
I got to meet Andy [Hertzfeld], and he sort of opened his life to me. He showed me Palo Alto and we had food together and I met his wife and saw his home. We talked a lot about his experiences, and I just tried to absorb as much about him as I could.
People who give off about fat-shaming and body-shaming are often the same people who talk about Trump's hair or how fat he is, or how old he is. The size of his hands and his fingers - that's the big one: let's all have a big laugh at his hands.
And yet there was something about his strength, his arrogance, his sheer size that got under my skin. He probably couldn't even spell vanilla. He was probably selfish in the sack. Probably selfish and greedy and...unsophisticated. And hung like a horse.
I cannot stand Tolstoy, and reading him was the most boring literary duty I ever had to perform, his philosophy and his sense of life are not merely mistaken, but evil, and yet, from a purely literary viewpoint, on his own terms, I have to evaluate him as a good writer.
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