You don't hear a film director saying 'Money mustn't go out of the industry' to actors. You don't hear a concert promoter saying 'We must make sure that money doesn't go out of our industry' to Elton John. Some people in football seem to think, 'Never mind the players, let's get on with the game.'
You can go raise the money outside of the industry, and then what you're doing is fighting with your money to get back into the industry, or for them to use your money instead of their own. So, you got to figure out how to do it within the flow of the industry.
Some people say I'm saying what they wanna say. Some people don't agree. Some people are outraged. Some people want to see what the album is about. To me, hip-hop's been dead for years. We all should know that, come on. With that being said, then, the object of the game now is to make money off of exploiting it. That's what it's all about - get this money. That's basically what I'm saying.
People in the film industry always want to save for a rainy day. Many early actors died in small houses with no money, and so they are insecure. My advantage is I don't value money that much. It's an easy thing for me to let go.
My problem is I don't see and hear that well, so when I go to the movies, I can make out what's going on, but I can't hear what they're saying. And after the movie, I have to ask whoever I'm with "now, what was that all about?"
For West is where we all plan to go some day. It is where you go when the land gives out and the old-field pines encroach. It is where you go when you get the letter saying: Flee, all is discovered. It is where you go when you look down at the blade in your hand and the blood on it. It is where you go when you are told that you are a bubble on the tide of empire. It is where you go when you hear that thar's gold in them-thar hills. It is where you go to grow up with the country. It is where you go to spend your old age. Or it is just where you go.
Of all the wonderful things government says, that's always been just about my favorite. As opposed to if you get to keep the money. Because what you'll do is go out and bury it in your yard, anything to prevent that money from creating jobs. They never stop saying it.We will say, "This is expected to create x number of jobs." On the other hand, we never say that the money we removed from another part of the economy will kill some jobs.
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
You can always hear a director saying, 'Well I don't really know what this piece is saying, so therefore, I reject it.' There are any number of things you can anticipate going wrong, and sometimes they go right. But I think the things you like most are the things that get rejected first. That's just how things work.
Nothing compares to when you are in coma and you hear voices and think you are dying. Then you come out of the coma and hear more voices saying you will not walk, not play sports, not be normal. And all the time your mind is fighting back saying, you will be strong, you will fight.
I think we have a long way to go in the entertainment industry, particularly in movies, but I feel like in television, there's somebody is finally saying, 'Hey, women have stories to tell, and oddly enough, women want to hear them.'
When I said that something was going to cost a certain amount of money, I actually knew what I was talking about. The biggest problem that we were having on the financing front was people with lots of money saying "you need more money to make this film [Moon]," and us saying "no this is the first feature film we want to do it at a budget where we sort of prove ourselves at the starting end of making feature films; we can do this for $5 million." That is where the convincing part between me and Stuart came, we had to convince people with money that we could do it for that budget.
Fashion is an industry to make money. It plays into human psychology. We want to belong, we want to be loved. I'm not trying to demonize the fashion industry - I love the fashion industry - but style is about taking the control out of the industry's hand and having you decide what works for you.
If my primary purpose here at Indiana is to go out and win ballgames, I can probably do that as well as anybody can. I would just cheat, get some money from a lot of people around Indianapolis who want to run the operation that way, and just go out and get the best basketball players I can. Then we'd beat everybody.
The bottom line is, I hear my donors, I hear our base out there, I hear the leadership. And we're taking steps to make sure that we're even more - how shall we say it - fiscally conservative in our spending and certainly making sure the dollars are there when it's time to run our campaigns.
We didn't have lawyers and accountants. No one was watching out for our money. We'd go to the office and get money and go on our way. I was 19-20 years old then. I was stupid. I didn't know any better. We weren't getting our fair share of the money. That happens to young musicians all the time. It makes me mad when I think how stupid we were.
A lot of people forget that today. They come to the point where you walk on a set and the first thing you know you're looking at the sound man and you're saying to yourself, "How the hell can they get any sound when nobody is talking!" They get all mumbly. You can't make out what they're saying! And you're 6 feet away from them! Whereas in the old-time movies, you hear them, you understand every word they're saying, and you didn't have to put on your loudspeaker.