A Quote by Gordon Willis

There are a lot of cameramen but not so many photographers. And a lot of cameramen attack from a technical approach without much imagination. They look, but they don't see.
I'm not a great fan of green screen. It's not much fun for actors. It's great for directors and technical people and cameramen.
People think that all cameramen do is point the camera at things, but it's a heck of a lot more complicated than that.
People were murdered for the camera; and some photographers and a television camera crew departed without taking a picture in the hope that in the absence of cameramen acts might not be committed. Others felt that the mob was beyond appeal to mercy. They stayed and won Pulitzer Prizes. Were they right?
After the fall of the Soviet Union, if you start the clock, then 47 journalists, reporters, cameramen, photographers have been killed in Russia since the fall of communism. That makes it the third most deadly country on Earth to practice journalism. That's not a record to be proud of.
I used to rarely go on film sets, as I felt it was very boring to see the same shot being done so many times. I felt I had nothing to do. I used to irritate the cameramen.
Italian cameramen grow up immersed in an awareness of light. It is part of their mythology.
The makeup of the drivers has changed a lot with so many young drivers coming and a lot of the legends moving on. Compared to when I started, it's gone through a lot of changes. The cars have changed a lot and the approach to racing. There are a lot more employees. It's become a much bigger business and more corporate.
As a director, my job is to protect. I protect scripts, actors, cameramen, designers.
Cameramen are among the most extraordinarily able and competent people I know. They have to have an insight into natural history that gives them a sixth sense of what the creature is going to do, so they can be ready to follow.
We had a lot of riots. We came under attack from many of the police departments. It certainly wasn't some publicity thing. I was afraid for many years. We couldn't play in LA for many years. A lot of people got very cynical.
It takes a lot of imagination to be a good photographer. You need less imagination to be a painter because you can invent things. But in photography everything is so ordinary; it takes a lot of looking before you learn to see the extraordinary.
When I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn't want to give up being the DP, and really wanted to do both. And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
I've never been conscious of having any real career plan, and I do not have a wish-list of actors, directors, screenwriters, or cameramen I'm hoping to work with. Life, I feel, has a way of leading us to the right situations and people, or at least to interesting ones.
If there was just music without any genres, then people would look at a lot of things afresh, and approach a record without any preconceptions.
A great danger, or at least a great temptation, for many writers is to become too autobiographical in their approach to their fiction. A little autobiography and a lot of imagination are best.
We need business leaders who have a respect for technical issues even if they don't have technical backgrounds. In a lot of U.S. industries, including cars and even computers, many managers don't think of technology as a core competency, and this attitude leads them to farm out technical issues.
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