A Quote by Gore Vidal

I suspect that one of the reasons we create fiction is to make sex exciting. — © Gore Vidal
I suspect that one of the reasons we create fiction is to make sex exciting.
I love fiction, you know? I find it fascinating. So when film really does go into fictional places, that's the most exciting for me. And when the fiction is about the person rather than about the place, that's even more exciting.
Fiction and non-fiction are only different techniques of story telling. For reasons I do not fully understand, fiction dances out of me. Non-fiction is wrenched out by the aching, broken world I wake up to every morning.
I would never want to take away the option of sex work from someone, but I would want to create more options so that everyone can make the decision whether they want to do sex work or they don't want to do sex work, and that people who do sex work can do it safely.
I didn't have sex until I was 23 and that was with a man. I made up for lost time after that in a hurry. I wish I could have had sex when I was, like, 14, 15 or 16 because that's such an exciting age to have sex.
Sex is hard to write about because you lose the universal and succumb to the particular. We all have our different favorites. Good sex is impossible to write about. Lawrence and Updike have given it their all, and the result is still uneasy and unsure. It may be that good sex is something fiction just can't do - like dreams. Most of the sex in my novels is absolutely disastrous. Sex can be funny, but not very sexy.
War to me is very much like sex. You can develop a theory that says sex is primarily for the exchange of genetic material, or that it's a celebration of life, or you can make up 50,000 theories about why human beings have sex, all of which are in some sense true, all of which by themselves miss the point. Because the answer is extraordinarily complex. It may be for fun, it may be for reproduction, for financial reasons, any number of things.
I'm a big fan of non-fiction, and I am a believer that fact is much more exciting than fiction.
In the mainstream, I'm suspect because I'm black. I have dreadlocks, I have a goatee. I mean, I'm just suspect. In my classroom and at Columbia, I'm not as suspect because it's clear I know what I'm doing, but I am still suspect.
Things don't just happen, they have reasons. And the reasons have reasons. And the reasons for the reasons have reasons. And then the things that happen make other things happen, so they become reasons themselves. Nothing moves forward in a straight line, nothing is straightforward.
Anchors aren't just creating fiction; they're becoming characters in the fiction they themselves create. In the world of TV channels, facts are presented like fiction, so governments aren't inconvenienced; fiction is presented like fact, so governments stay happy.
There is only one sex. A man and a woman are so entirely the same thing that one can scarcely understand the subtle reasons for sex distinctions with which our minds are filled.
The heart has its reasons; it's the mind that's suspect.
It's exciting to see if you can create something that sounds, at least to your own ears, exciting.
Among the reasons marriages fail, sex ranks no higher than fourth, behind money, having only one bathroom, and an inability to communicate, reasons one, two and three.
There is absolutely no reason to suspect that prohibiting same-sex couples from marrying and refusing to recognize their out-of-state marriages will cause same-sex couples to raise fewer children or impel married opposite-sex couples to raise more children. The Virginia Marriage Laws therefore do not further Virginia's interest in channeling children into optimal families, even if we were to accept the dubious proposition that same-sex couples are less capable parents.
If you had a daily printout from the brain of an average twenty-four-year-old male, it would probably go like this: sex, need coffee, sex, traffic, sex, sex, what an asshole, sex, ham sandwich, sex, sex, etc
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