A Quote by Gore Vidal

I write in different styles because I hear different voices in my head. It would be boring to have always the same voice, point of view. — © Gore Vidal
I write in different styles because I hear different voices in my head. It would be boring to have always the same voice, point of view.
I feel like there's so many voices, and it's necessary for there to be a lot of different voices because we can't all like the same art. That would just be so boring... If anybody wants to hear it, I'm here. It makes for a more interesting world for there to be more than one kind of singer.
I think I was probably able to flip characters in my head as if I was playing different roles in order to write the different people because you kind of have to be one person, and inhabit him and write from his voice and be her and write her voice. So I think that helped.
I always have the feeling that my subjects are the same - I'm just changing my point of view. I'm going to move a little bit this time and watch it a different way. But at the end, I think I'm always fascinated by the same things, except I will express them over and over again, with different words, with different colors, with different shapes. But strangely it will always be the same topics or subjects that are so important to me.
It's hard to view myself sometimes as even in the same league as other musicians, mainly because there's so much music before me. I feel overinformed by different styles and different possibilities.
I am interested in levels of brain discourse. How articulate are the voices in your head? You know, there's a different voice for the phone, and a different voice if you're talking in bed. When you're starting off with a narrator, it's interesting to think, where is their voice coming from, what part of their brain?
I have so many different projects, I hear voices in my head - the characters talking all at once - and I have to write to make them stop.
I think in the end there are only 20 or 30 tenets of basic cooking. It's going at perhaps the same issue from different angles, from different points of view, from different presentation styles, that really makes things sink in and become embedded.
If you want anybody to have a different voice, you really have to visualize and hear the voices of all these people. Sometimes when I write with specific actors in mind, it helps.
After games, my wife gives me a lot of advice and criticism. Sometimes, I am upset. I say, 'Why do you advise me this?' But I like it, because to listen to a different point of view is always important. You can find a different position or point of view that can help you to be more creative.
When you listen to my music, you hear that there are all these voices going on in different parts of the song. That's because I was always around so many voices in church.
It's really interesting to just look at the career of a musician and a producer that went into many different genres and many different styles and many different places but always breaking the barriers between genres and at some point reinventing himself all along the way but also inventing things at the same time.
I think for me, fusion is a word that describes a positive, collaborative combination of different styles. Every kind of new music was created by a fusion of different styles because to move on and find something new you have to allow all the influences within yourself a voice.
The fact is that at different stages of your life, and under the influence of different inspirations, you write different things. The point is not necessarily to find your voice, which grinds out the same sort of thing again and again, but to find a vehicle for people who are far more important than the author: the characters.
[Ruslan Provodnikov] s a fantastic fighter but in terms of his style and Manny's [ Pacquiao] they are completely different and the preparations for each are completely different but that is no different for me because I am always fighting guys with different styles.
My first two books, I was very close to my main character, stuck inside their head. And then with 'Arrogance,' I broke into many different voices. I introduce many different characters, and that helped me to develop a confidence to move between different characters, between different voices.
Voice work is really fun and challenging. I like learning different skills and different styles, and this is definitely different from doing a play or a filmed TV show.
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