A Quote by Gore Vidal

Freud did some serious damage to American literature - a lot of writers began therapy in the 1940s, after which they all became terribly egocentric. — © Gore Vidal
Freud did some serious damage to American literature - a lot of writers began therapy in the 1940s, after which they all became terribly egocentric.
When I went to college, I majored in American literature, which was unusual then. But it meant that I was broadly exposed to nineteenth-century American literature. I became interested in the way that American writers used metaphoric language, starting with Emerson.
American feminism's nose dive began when Kate Millet, that imploding beanbag of poisonous self-pity, declared Freud a sexist. Trying to build a sex theory without studying Freud, women have made nothing but mud pies.
The problem became this: We became a caricature of ourselves. We were after light, and it began to look as though we were after heat, not to reveal some information or not to find out the story.
As I grew up, I was interested in other areas, too, especially literature. It became a major love of mine. Later, it became a difficult choice for me as to whether to major in music or literature. It wasn't until my 30s that I began a profession in music.
The writers who have been serious about recreating American literature have always been far and few between. What we do have at the end of the 20th century that we didn't have at the beginning, at that time of the Lost Generation of rich white boys, is a mixture. We're now getting gay writers of color, let's say, and women of color being published. This is unprecedented.
Unfortunately for the American people, the Obama-Clinton-Rice cabal that led to the Benghazi cover-up was far more interested in political-damage control than serious damage assessment.
I am one of the writers who wish to create serious works of literature which dissociate themselves from those novels which are mere reflections of the vast consumer cultures of Tokyo and the subcultures of the world at large.
One of the great things about humor is, you can slip things past people with humor, you can use it as a sweetener. So you can actually tell them things, give them messages, get terribly, terribly serious and terribly, terribly dark, and because there are jokes in there, they'll go along with you, and they'll travel a lot further along with you than they would otherwise.
You hear a lot of writers talk like writing is therapy or some kind of magic art, but it's a business.
You can use your means in a good and bad way. In German-speaking art, we had such a bad experience with the Third Reich, when stories and images were used to tell lies. After the war, literature was careful not to do the same, which is why writers began to reflect on the stories they told and to make readers part of their texts. I do the same.
If you have a lawyer, sometimes you can get out of trouble. I've gotten into a lot of trouble because I didn't have a lawyer. I've also had some bad lawyers, too. But the good ones, the ones I liked, they became me. They became whatever situation I was involved in. When I felt pain, so did they. When I succeeded, so did they. They became me. They became whatever the situation was that they became involved with.
Sigmund Freud was a half baked Viennese quack. Our literature, culture, and the films of Woody Allen would be better today if Freud had never written a word.
My grandfather was born in Mexico. And when he was a young man, he crossed the Rio Grande. After that, he served in our military and became a U.S. citizen. He ended up in Las Cruces, New Mexico, and that's where my father was born. That was the beginning of my Mexican-American family, where they settled in Las Vegas in the early 1940s.
This rose became a bandanna, which became a house, which became infused with all passion, which became a hideaway, which became yes I would like to have dinner, which became hands, which became lands, shores, beaches, natives on the stones, staring and wild beasts in the trees, chasing the hats of lost hunters, and all this deserves a tone.
I am fine with my books being categorized as African-American literature but I hope they are also considered Haitian-American literature and American literature. All of these things are part of who I am and what I write.
American films are terribly popular all over the world and American movie stars are terribly important. I don't know why.
This site uses cookies to ensure you get the best experience. More info...
Got it!