The critics are like tourists who return from a trip saying they've "done" Machu Picchu: "Okay, we've done magical realism," so now we can throw it out.
The Americans only like things they can label, even if it kills them. Think of those poor Latin American writers. Some of them are very good. But the "magical realism" label has absolutely ruined them. The critics are like tourists who return from a trip saying they've "done" Machu Picchu: "Okay, we've done magical realism," so now we can throw it out.
I feel best in a ragged pair of red Honda Motorcycle pants. I have taken them to Machu Picchu, to the Knob Creek Machine Gun festival, and backstage to Cirque du Soleil - just the right touch to make you untouchable. No one quite dares to throw you out, because perhaps you are a world class motocross racer.
Night falls over Machu Picchu to the sound of Abba's 'Dancing Queen'.
You take a guy like George Clooney who goes out there to Darfur, and gets things done! That's magical. He's done a great thing.
I've done experimental work, I've done real conventional documentaries that were very successful, like Las Madres that was nominated for an Academy Award. And, from that moment on I felt like, "Okay, I can make that. Now where am I going to go?"
I did the Kilimanjaro climb a few years ago, then the six-day trek to Machu Picchu in Peru so this bike ride to raise money for Great Ormond Street seemed like the next big challenge.
I don't really give in to the critics because critics are always going to criticize, and what have they done? A person who has never done nothing can't really care nothing about doing something. So as far as the critics, I don't care what they think. I don't have time to give to critics.
Critics are like eunuchs in a harem; they know how it's done, they've seen it done every day, but they're unable to do it themselves.
If you look at the actual movies that I've done, the whole struggle is to get to that point, so it's not something that you just have so easy . . . But it's okay. It doesn't bother me. I've done okay so far.
Learn to feel yourself in other bodies, to know that we are all one. Throw all other nonsense to the winds. Spit out your actions, good or bad, and never think of them again. What is done is done. Throw off superstition. Have no weakness even in the face of death. Be free.
For so long I hid behind the blonde hair and the blue eyes. Now I feel like I've done it, I've done what I set out to achieve, now I can just go back to being me.
I'm focused on the work. And now I've done 'Morris' and 'Mr. Robot,' my appetite is whet to go deeper. It's fun, and it's challenging, and it stretches me. I'm not saying I'm done with comedy by any stretch of the imagination. I'm saying, yeah, let's see how deep the rabbit hole goes.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
Take agriculture, where we haven't done much, or sanitation; saying, "okay, we will be able to make a really huge effort there." It really energized the foundation and half of what we've gotten done in this last decade is because Warren [Buffett] trusted us.
When I was in my twenties and just so sexually prolific, the first time I went to Machu Picchu, this guy, a spiritual teacher, says to me, "When you make love, you must be making love." I thought that was the greatest advice I had ever heard.
People want to see realism in action now. People want the actors to perform than the computers performing. Though I have done both, I enjoy the realism of action more.