A Quote by Gore Vidal

What I like least about myself is my belligerence. — © Gore Vidal
What I like least about myself is my belligerence.
For all the flailing and huffing and puffing, there is a kind of fatality about the process of war-making and the excuses we find for it, the consolation of belligerence in politics.
The great thing about getting older is that you learn not to care about being cool. I'm happy with who I am, I know what I like and I can't see myself changing… not for a little while, at least.
I definitely have a tendency to only see the blemishes of things, and see lots of things about my acting that I don't like. I think I've gotten a little easier on myself, or at least a little more usefully critical of myself. I think before, I just couldn't take looking at myself at all.
I've had a mental illness for nearly half my life, and I can no longer imagine myself without it. It seems less like something that happened to me than like part of who I am; some days, it is the thing about me, but it is always at least a thing about me.
Intellectual curiosity about one's own illness is certainly born of a desire for mastery. If I couldn't cure myself, perhaps I could at least begin to understand myself.
If I lost control of the business I'd lose myself - or at least the ability to be myself. Owning myself is a way to be myself.
I have always loved a hard-faced girl. I get that Alison Goldfrapp isn't easy, and I like her belligerence. She's deeply sexy and controlled, like a Strict Machine, and it seems to wind the b'jesus out of the women I know. On the outside, I watch and smile and will her on like a twisted silent maiden aunt in the dark corner.
I don't view myself as powerful. I mean, I view myself as a person that like everybody else is fighting for survival. That's all I view myself as and I really view myself now as somewhat of a messenger. You know, this is a massive thing that's going on. These are millions and millions of people that have been disenfranchised from this country. I was in front of a group yesterday, at least 25,000 people. The place was going crazy, and I said, I'm like the messenger.
Neutrality is at times a graver sin than belligerence.
I think rhythm is, when you talk about rhythmic sensibility, quite perceptive in that I like to have at least one thing that is at least common or familiar to the audience.
Battling terrorism must go beyond belligerence vs. isolation.
I don't consider myself a musician who has achieved perfection and can't develop any further. But I compose my pieces with a formula that I created myself. Take a musician like John Coltrane. He is a perfect musician, who can give expression to all the possibilities of his instrument. But he seems to have difficulty expressing original ideas on it. That is why he keeps looking for ideas in exotic places. At least I don't have that problem, because, like I say, I find my inspiration in myself.
Well, this week's peeve might be... when art writers talk about an artist's 'efforts,' meaning their work. It always sounds patronizing to me, like 'I'll give you an E for effort.' How about the artist's 'effortlessnesses' instead? It's certainly something, or at least the appearance of something, that I aspire to myself.
Reading about myself on public platforms makes me uncomfortable. I don't like it. I read other people's interviews or articles, but when it comes to myself, if I see something about myself then I immediately turn over the page.
I don't like talking about myself. I'm not really interested in myself. One of the good things about being a supporting actor is that you get to talk about other people.
This is a book about Heaven. I know it now. It floats among us like a cloud and is the realest thing we know and the least to be captured, the least to be possessed by anybody for himself. It is like a grain of mustard seed, which you cannot see among the crumbs of earth where it lies. It is like the reflection of the trees on the water.
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