A Quote by Gore Vidal

In America, the race goes to the loud, the solemn, the hustler. If you think you're a great writer, you must say that you are. — © Gore Vidal
In America, the race goes to the loud, the solemn, the hustler. If you think you're a great writer, you must say that you are.
A serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
I don't run anybody else's race. When the gun goes off, I must evaluate with my own body and see. Then, as the race develops, I run accordingly. So you can say that I do not have a set tactic for any race.
That famous writer’s block is a myth as far as I’m concerned. I think bad writers must have a great difficulty writing. They don’t want to do it. They have become writers out of reasons of ambition. It must be a great strain to them to make marks on a page when they really have nothing much to say, and don’t enjoy doing it. I’m not so sure what I have to say but I certainly enjoy making sentences.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
I think there's a racial outcome to a lot of what goes in America, but I don't think race is always the reason.
We have many companies, I say pouring back into America. I think that's going to have a huge, positive impact on race relations. You know why? It's jobs. What people want now, they want jobs. They want great jobs with good pay. And when they have that, you watch how race relations will be.
We must organize. We must protest. We must cry out in a loud voice that America needs a raise. We must keep working until workers in this country don't have to struggle to make ends meet.
Diverting the internal traffic between the Writer as Angel of Light and the Writer as Hustler is that scribbling child in a grown-up body wondering if anybody is listening.
If you're in the writer's room, in any writer's room in the world, before you pitch a joke or suggest an idea, you first think it's funny and decide to say it out loud. The next step is for the people around you to accept it or reject it, before it ever sees the light of day, on film or in front of an audience.
America should be ashamed to say they have the best justice system in the world when, every day, race plays a part in who goes to prison, who don't go to prison.
America is racial. America was founded on race. Race is America. The code name for America is 'race.'
Sean 'P. Diddy' Combs is a hustler. In fact, he's what I call an extreme hustler.
If I have learned one thing from life, it is that race is the engine that drives the political Left. When all else fails, that segment of America goes to the default position of using race to achieve its objectives. In the courtrooms, on college campuses, and, most especially, in our politics, race is a central theme. Where it does not naturally rise to the surface, there are those who will manufacture and amplify it.
I think you must remember that a writer is a simple-minded person to begin with and go on that basis. He's not a great mind, he's not a great thinker, he's not a great philosopher, he's a story-teller.
A man can write one book that can be great, but this doesn't make him a great writer-just the writer of a great book. . . I think a writer has to extend very widely, as well as plunge very deep, to be a great novelist.
Automobile in America,Chromium steel in America,Wire-spoke wheel in America,Very big deal in America!Immigrant goes to America,Many hellos in America,Nobody knows in America,Puerto Rico's in America!I like the shores of America!Comfort is yours in America!Knobs on the doors in America!Wall-to-wall floors in America!
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