I do come from a theater background, where the playwright is optimal and king and you have to serve the playwright. So I am, of course, a huge fan of scripted everything.
I am not a playwright. A playwright would take "Antigone" and hit it a few clouts and knock it out of shape and restructure it. My versioning was strictly verbal.
I am a playwright. I show What I have seen. In the man markets I have seen how men are traded. That I show, I, the playwright.
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
Stage is the place of the playwright: you're guided by great actors and directors, but it's the playwright's word on the page that counts.
One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
Playwrights are naturally wary and protective - God, who's more protective than a playwright? You read a play, the playwright wants to hear from you immediately.
I am an internationally produced playwright.
Sometimes we go to a play and after the curtain has been up five minutes we have a sense of being able to settle back in the arms of the playwright. Instinctively we know that the playwright knows his business.
One of the things he liked about playwriting as to any other kind of writing is that a playwright is a w-r-i-g-h-t, not a w-r-i-t-e; in other words, that a playwright is more of a craftsman than an artist of the big novel.
I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter.
I am a better novelist than a poet, playwright, or essayist.
It's a lucky circumstance when you get to usher in new work, because you are able to ask the playwright and the director (who in a new work is always in dialogue with the playwright) an unlimited amount of questions.
Yes, I am a failed playwright. I had three shows on Broadway by the time I was 30. They all flopped, and I fled.
Mere wealth, I am above it, / It is the reputation wide, / The playwright's pomp, the poet's pride / That eagerly I covet.