A Quote by Gore Vidal

During the late '50s, I had worked on the script of Ben-Hur in an office next to that of the producer Sam Zimbalist. — © Gore Vidal
During the late '50s, I had worked on the script of Ben-Hur in an office next to that of the producer Sam Zimbalist.
Ben Hur, who said to his sister Ben Him, We'd better swap names before they start calling me Ben Gay! Never got a dinner!
The first movie I saw - and I don't know if it influenced me - was Ben Hur. We watched it outside in a corn field, and it ran backwards, so the first movie I ever saw was Ben Hur backwards.
The first movie I saw - and I don't know if it influenced me - was Ben Hur. We watched it outside in a corn field, and it ran backwards. So the first movie I ever saw was Ben Hur, backwards.
I fell in love with 'Ben Hur' when I was 8 years old, and I just knew I had to be involved in movies, even if I was the guy who melted the butter on the popcorn.
To prevent the theft of 'Ben-Hur's sets, guards were prowling the back lot long after production had been shut down.
Of course, Sam [Fuller] was like, "No problem," because he treated it like a newspaper deadline. We worked long hours, often very late into the night, in his garage, which had been converted into an office. It was freezing cold outside and there was no heat in the garage, so he had a little space heater over by his side and I had a blanket that he graciously gave me to drape around my shoulders like a Navajo Indian. And he gave me cigars, too, of course.
I was reared on American TV and films. There was a huge sense of occasion about going to the cinema in Moy in the late 1950s and early '60s, and I absolutely loved those Hollywood sword-and-sandal movies like Ben-Hur and the dime-a-dozen cowboy-and-Indian films, as we then referred to them.
A box-office number is good for a producer and the industry to keep the turnover game on, but as an actor, I give importance to script. I will turn down a script, even if it guarantees Rs. 100 crore, when I'm not convinced with it.
The first movie I saw - and I don't know if it influenced me - was 'Ben Hur'.
The first win was racing my Late Model at Myrtle Beach. It was twin 50s. We'd usually run a 100-lap feature, but it rained the week before, so they split the next weekend in half and made twin 50s. And I won the first one.
I didn't want to be an actor. I wanted to design historical movies like 'Ben-Hur'. I saw this as my life.
ELANTRIS is a new BEN HUR for the fantasy genre, with a sweeping, epic storyline and closely personal characters.
I had written the script a few years earlier for Paramount, then later got hired with Sam [Fuller] to write an entirely new script that he was going to direct. And that was one of the great thrills of my professional life.
You can be sure that they'll be showing 'Ben-Hur' somewhere for a long, long time to come.
I studied business in school, so I worked for Chanel in marketing. And I also worked part-time in an office. So I had office jobs. And then I realized I needed to get the hell out of there, just realizing there was no fulfillment.
One time in the late '50s, when Peter Finch, Laurence Harvey, and I were all offered the same movie role - the assumption being that we weren't friends - we marched up to producer Dino De Laurentiis's door and declared in unison, 'We don't think we're suitable for the part.'
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