A Quote by Gore Vidal
Like most readers, I tend to skip the acknowledgements at the beginnings of books: the 'To-My-Wife-Without-Whose-Invaluable-Assistance' kind of thing.
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Leave out the parts that readers tend to skip.
I've always kind of thought that reviews written by readers for readers are a kind of private space between consumers. It's their right to say anything they like about your material, and authors need to know that and respect that. As for my end, I'm aware of what my sales are, so I know that my books are working in the marketplace, at least for now, and beyond that, I have to just do my thing and stay focused.
When I need my wife or when I need companionship or someone to talk to, I need it, like, now. So my wife will have to give up whatever she's doing at that moment to tend to my needs. And, in the same way, I would tend to hers. That's not such an easy thing to do.
When I need my wife or when I need companionship or someone to talk to, I need it, like, now. So my wife will have to give up whatever she's doing at that moment to tend to my needs. And in the same way, I would tend to hers. That's not such an easy thing to do.
People do amazing things for love. Books are full of wonderful stories about this kind of stuff, and stories aren’t just fantasies, you know. They’re so much a part of the people who write them that they practically teach their readers invaluable lessons about life.
If beginnings terrify you, or if you just plain don't like writing them, or if they bore you, skip 'em.
Teenage readers also have a different relationship with the authors whose work they value than adult readers do. I loved Toni Morrison, but I don't have any desire to follow her on Twitter. I just want to read her books.
The problem for cookery-bookery writers like me is to understand the extent of our readers' experience. I hope have solved that riddle in my books by simply telling everything. The experienced cook will know to skip through the verbiage, but the explanations will be there for those who still need them.
My most important piece of advice to all you would-be writers: when you write, try to leave out all the parts readers skip.
At first blush, it seems odd that loser lit books are rejected initially, then go on to be fiercely loved by legions of readers. This apparent contradiction might be due to the fact that if they didn't screw up their lives, most losers would be the kind of power-elite, Type A go-getters whom readers love to hate.
The most ignorant person, at a reasonable charge, and with a little bodily labour, might write books in philosophy, poetry, politics, laws, mathematics, and theology, without the least assistance from genius or study.
The fact remains that books that really put gay people in the center, and especially books that do so in a way that is sexually explicit, tend not to get a great deal of mainstream attention: they don't tend to sell well, and they don't tend to win major awards. This makes the occasional exception, like Alan Hollinghurst, all the more remarkable.
I believe in books that do not go to a ready-made public. I'm looking for readers I would like to make. To win them, to create readers rather than to give something that readers are expecting. That would bore me to death.
You've got to set yourself up to be as healthy as you can. The thing we tend to do is when it gets to be a bit too hard, we actually opt out for the absolute worst option. For example, if you're in a rush in a morning and you feel like you don't have time to make breakfast, you skip it.
They belong to their readers now, which is a great thing–because the books are more powerful in the hands of my readers than they could ever be in my hands.
Certainly, light fiction exists and encompasses mysteries or second-class romance novels, books that are read on the beach, whose only aim is to entertain. These books are not concerned with style or creativity - instead they are successful because they are repetitive and follow a template that readers enjoy.
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