A Quote by Gore Vidal

After adolescence, if one's life is sufficiently interesting, the desire to tell oneself stories diminishes. — © Gore Vidal
After adolescence, if one's life is sufficiently interesting, the desire to tell oneself stories diminishes.
Life after 50 or 60 is itself another country, as different as adolescence is from childhood, or as adulthood is from adolescence - and just as adventurous.
I couldn't run from that desire to tell stories, that desire to tell stories about us, and about the people I loved.
Adolescence is interesting. I mean, all of life is interesting and all of life is transitionary. But I think there is an exponential growth physically, intellectually, emotionally and there is so much potential.
My family were great story-tellers. My mum was one of 12 and they were all fighting to tell stories. You have to tell a good tale or no one is going to listen. You have to make it entertaining and interesting. That's how I learned to tell stories.
Anxiety and desire are two, often conflicting, orientations to the unknown. Both are tilted toward the future. Desire implies a willingness, or a need, to engage this unknown, while anxiety suggests a fear of it. Desire takes one out of oneself, into the possibility or relationship, but it also takes one deeper into oneself. Anxiety turns one back on oneself, but only onto the self that is already known.
There are tons of stories out there. I read a lot of scripts on a weekly basis. I'm looking for stories to tell and stories that I hope will be interesting to an audience.
My goal is to tell good stories. And to try as best I can to do something new with acting. To learn from the past and to be a relevant artist. To make stories that are interesting and contemporary and to tell some kind of emotional truth.
AS SOMBRAS DA ALMA. THE SHADOWS OF THE SOUL. The stories others tell about you and the stories you tell about yourself: which come closer to the truth? Is it so clear that they are your own? Is one an authority on oneself? But that isn't the question that concerns me. The real question is: In such stories, is there really a difference between true and false? In stories about the outside, surely. But when we set out to understand someone on the inside? Is that a trip that ever comes to an end? Is the soul a place of facts? Or are the alleged facts only the deceptive shadows of our stories?
This is my life - I want to tell stories. There is something huge inside me that pushes me to tell stories, and tell stories for an audience and everybody.
We read novels because we need stories; we crave them; we can’t live without telling them and hearing them. Stories are how we make sense of our lives and of the world. When we’re distressed and go to therapy, our therapist’s job is to help us tell our story. Life doesn’t come with plots; it’s messy and chaotic; life is one damn, inexplicable thing after another. And we can’t have that. We insist on meaning. And so we tell stories so that our lives make sense.
I don't think we'll ever lose the desire for people to tell stories or to hear stories or to be entrapped in a beautiful story.
Early on, I learnt from the Russian intelligentsia that the only meaning of life lies in conscious participation in the making of history. The more I think of that, the more deeply true it seems to be. It follows that one must range oneself actively against everything that diminishes man, and involve oneself in all struggles which tend to liberate and enlarge him. This categorical imperative is by no way lessened by the fact that such an involvement is inevitably soiled by error: it is a worse error merely to live for oneself, caught within traditions which are soiled by inhumanity.
Adolescence was only recognised as a life stage in the early 20th century, when psychologists got down to work. Today's generational battle obscures the fact that adulthood is happening later. A new transitional stage has emerged after adolescence: the twenties.
Our dream as actors is to tell interesting stories about interesting people.
If your dream is to tell stories, interesting stories, play interesting people, that's the bottom line. The people that I play have to be extraordinary.
I just do the best I can and write something interesting, to tell stories in an interesting way and move forward from there.
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