A Quote by Gorilla Monsoon

He's going to audition for the Vienna Boys' Choir! — © Gorilla Monsoon
He's going to audition for the Vienna Boys' Choir!
And I've teamed up with a choir from home. They're called the Gori Women's Choir. They're a 23-piece all-female choir, and they've been going since the '70s.
When the rest of the congregation rose at the entrance of the choir he kept his seat. He argued that rising to one's feet at such a time tended to make the choir-boys conceited.
I grew up in Synagogue in the boys' choir. We didn't listen to music in the house; only at temple. Then I went to a mostly African American high school on the South Side of Chicago and joined a gospel choir.
My parents came a long time ago to Vienna, met in Vienna. Of course they had to go through a lot also, but we're very happy to have our home in Vienna.
My high-school a cappella teacher would embarrass me in front of the choir. 'Mavis, you're in the basement. Mavis, you're singing with the boys.' I said, 'Mr. Finch, my voice isn't soprano. I can't sing up there with the girls.' So I just got out of the choir.
When I got married, I hired a great choir - the St. James Choir, an all-black gospel choir - to sing at my wedding.
I was in this boys' choir for five years, when I was 10 until 15.
Preaching to the choir actually arms the choir with arguments and elevates the choir's discourse. There's a reason the right does it and does it well and triumphs.
I went to, you know, a church in Chicago, and my mom, of course, was in the choir because my mom was a singer; she used to sing. I wanted to be in the choir as well, and I was like, 'Mom, please, you know, I want to sing in the choir with you guys.' I kept on asking her, and finally I was, you know, in the choir.
From Vienna with Love' will build a bridge across the globe from Vienna to Sydney, full of music, love and fun. I am really looking forward to performing with the Sydney Symphony Orchestra and fabulous guest artists who all have ties to Vienna and telling a story with music that inspired me and songs from my debut album.
I was at stage school in Birmingham Rep when I was called down to London for an audition in the National Theatre. Maximilian Schell, the film actor, was casting Tales from the Vienna Woods. He was looking at me for a small, but significant, role.
The climate suits me, and London has the greatest serious music that you can hear any day of the week in the world - you think it's going to be Vienna or Paris or somewhere, but if you go to Vienna or Paris and say, 'Let's hear some good music', there isn't any.
Lord, if there is a heartache Vienna cannot cure I hope never to feel it. I came home cured of everything except Vienna.
I actually like to audition. I prefer to audition for something because I don't want to walk onto a stage or a set and [have someone] say, "You are so far away from what I thought you were going to bring in." I would feel more comfortable to audition and say, "Here's my take on it - take it or leave it".
The first city I ever came to in the states was Des Moines. I was 12 and was in a boys' choir.
I went into the audition room with the mindset that 'Little Fires' was going to be my last audition. I put my all into it, but I didn't get my hopes up.
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