A Quote by Gosho Aoyama

Humans are suspicious and jealous creatures. When they see something perfect, they want to find a flaw. — © Gosho Aoyama
Humans are suspicious and jealous creatures. When they see something perfect, they want to find a flaw.
You never know anymore if you'll see something you don't want to see, if you're jealous of something, if you're going through a breakup and you see something, so I just don't even look at those things any more [ in Instagram].
I have a very deep belief that all the problems in society are not because some people are bad and some people are good and we have to get rid of all the wrong people. Everything that we want to fix is because of a flaw in humans in general, something that humans together do incorrectly.
I grew up watching 'Star Trek.' I love 'Star Trek.' 'Star Trek' made me want to see alien creatures, creatures from a far-distant world. But basically, I figured out that I could find those alien creatures right on Earth. And what I do is I study insects.
I think it's a dance that people want to see. It's a chemistry that people want to see. In the same way that people don't want to see a perfect hero with no flaws who can handle anything, people don't want to see a perfect relationship. There's nothing interesting about that. People want to see you fail.
I find that the moment I let a woman make friends with me, she becomes jealous, exacting, suspicious, and a damned nuisance. I find that the moment I let myself make friends with a woman, I become selfish and tyrannical.
Am I jealous? he thought, astonished. Jealous of the chance object to which she has attached herself? Jealous of something that does not concern me? One can be jealous of a love that has turned away, but not of that to which it has turned.
So many people are concerned with being the perfect 'something.' Whether it's the perfect singer, the perfect sexy girl, or the perfect feminist. I don't want to be the perfect anything.
The thing with 'No Man's Land' is not to see it, but how to make people to go to see it. The one negative criticism I've heard is that the relationship between tragedy and comedy is so perfect that it becomes suspicious. I take it as a complement.
All cats can see futures, and see echoes of the past. We can watch the passage of creatures from the infinity of now, from all the worlds like ours, only fractionally different. And we follow them with our eyes, ghost things, and the humans see nothing.
I want my images to achieve two things in this regard - to be an elegy to a world that is tragically vanishing, to make people see what beauty is disappearing. Also, to try and show that animals are sentient creatures equally as worthy of life as humans.
Humans don't see what they don't want to see. No one wants to be put down. That's why people do nothing even when they do know something is happening.
In those perfect moments you find beauty you never knew existed. You find yourself and you friends all over again, you find something to fight for, something to love. Something to show the world.
Gnomes live ten times faster than humans. They're harder to see than a high-speed mouse. That's one reason why most humans hardly ever see them. The other is that humans are very good at not seeing things they know aren't there. And, since sensible humans know that there are no such things as people four inches high, a gnome who doesn't want to be seen probably won't be seen... Wings.
All creatures are flawed, but out of the flaw may come the universe.
I think as humans we're nostalgic creatures and that's what we do. We go back to things that have a semblance of something comforting, or enough time passes that it seems cool again, or maybe it's something that some people didn't even experience.
I guess, and it may be a flaw, that I think about rhythm more [than anything else]. I'm always wanting to find something unusual. I've started to try and write more traditionally, but for whatever reason, I tend toward trying to find something that sounds more like a pattern to me.
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