A Quote by Gottfried Helnwein

Art is a weapon for me, with which I can strike back. — © Gottfried Helnwein
Art is a weapon for me, with which I can strike back.
To know whom to strike is competence; to know how to strike is skill; to know where and when to strike is art; to know why to strike is victory.
God told me to strike at al Qaeda and I struck them; then he instructed me to strike at Saddam, which I did.
She stared at me. "Fly, ;ole, in an airplane, which you were warned never to do lest Zeus strike you out of the sky, AND carrying a weapon that has more destructive power than a nuclear bomb?" "Yeah," I said. "Pretty much exactly like that.
Revenge tries to solve the problem of vulnerability. If I strike back, I transfer vulnerability from myself to the other. And yet by striking back I produce a world in which my vulnerability to injury is increased by the likelihood of another strike. So it seems as if I'm getting rid of my vulnerability and instead locating it with the other, but actually I'm heightening the vulnerability of everyone and I'm heightening the possibility of violence that happens between us.
... ages in which the dominant weapon is expensive or difficult to make will tend to be ages of despotism, whereas when the dominant weapon is cheap and simple, the common people have a chance... A complex weapon makes the strong stronger, while a simple weapon -- so long as there is no answer to it -- gives claws to the weak.
My dad was not someone who you would strike with a billy club and he wouldn't strike back. It just wasn't in him.
There was a gas strike, oil strike, lorry strike, bread strike, got to be a Superman to survive.
We are on strike, we, the men of the mind. We are on strike against self-immolation. We are on strike against the creed of unearned rewards and unrewarded duties. We are on strike against the dogma that the pursuit of one's happiness is evil. We are on strike against the doctrine that life is guilt.
God told me to strike at al Qaeda and I struck them, and then he instructed me to strike at Saddam [Hussein], which I did, and now I am determined to solve the problem in the Middle East. If you help me I will act, and if not, the elections will come and I will have to focus on them.
The right to strike is one of the most important safeguards working people have in this country. It's a weapon of last resort that has served throughout history as a bargaining tool which allows unions to push for recognition of ordinary workers' rights to be paid fairly and treated with dignity.
I’ve had many enemies over the years. If there’s one thing I’ve learned, it’s never engage in a fight you’re sure to lose. On the other hand, never let anyone who has insulted you get away with it. Bide your time and strike back when you’re in a position of strength—even if you no longer need to strike back.
Art can mean a lot of things. At the heart of it, art is doing something you really believe in. Like my wife, she volunteers helping underprivileged kids, that's her art. To me, anything that you do that you truly believe in makes you an artist. It doesn't necessarily mean being a painter or a film maker. That's art, but there's more to it than that. As long as you're pouring your heart and soul into what you're doing, that's the weapon.
Swearing's my release. It's the one weapon I have to defend myself against destiny when it elects to strike without pity.
I'm only the instrument through which one particular art is expressed. Poetry flows through me but it originates in the wellspring of creation that is the source of us all. When you strike out at someone else's achievement you are attacking your own share of a great gift.
If art is therapy, if art is to inspire, if art is a weapon, if it is a medicine to heal soul wounds, if it makes one not feel alone in his or her visions, or if it serves as transportation to a higher self, then that is where I aspire to live every day.
A boycott is, inherently, a blunt instrument. It is an imperfect weapon, a carpet bomb, when all involved would prefer a surgical strike.
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