A Quote by Gotthold Ephraim Lessing
Would that we could at once paint with the eyes! In the long way from the eye through the arm to the pencil, how much is lost!
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O, how much simpler things would be If eyes could paint or brush could see.
I saw it with my own eyes: Israelis and Palestinians, arm in arm, walking off together and clearly pricing how you could get your truck to the top of the line or get it through at all. It was an absolutely transparently corrupt system at the border - you had to buy your truck's way across. I thought it was a disgrace.
If you're wearing smoky eye makeup, a little beige or gold pencil on the inner eye corners will open up the area, but you only want to do it if the shadow is really dark. Otherwise, light pencil makes your eyes look too far apart, like a fish.
Both liquid and pencil eyeliner can be used on the top and bottom eyes. I then use eye shadow over the pencil to blend evenly to ensure there's no skipping and patchiness. With pencil as a base, it's easier to get a seamlessly blended effect. If a stronger line is desired, trace over the pencil line with liquid eyeliner.
How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life.
...
whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
There's a game out there, and the stakes are high. And the guy who runs it figures the averages all day long and all night long. Once in a while he lets you steal a pot. But if you stay in the game long enough, you've got to lose. And once you've lost there's no way back, no way at all.
The word 'abstract' comes from the light tower of the philosophers. One of their spotlights that they have particularly focused on 'Art'. [Abstraction was] not so much what you could paint but rather what you could not paint. You could not paint a house or a tree or a mountain. It was then that subject matter came into existence as something you ought not have.
I'm often asked how I portray the roles I play so convincingly and express so much through my eyes. Quite frankly, I don't know how to explain that. I guess it's about who I'm as a person; I radiate it through my eyes.
I don't paint women, I paint pictures. . . What I am after above all is expression. If in a portrait I put eyes, a nose, a mouth, there isn't much use; on the contrary it paralyses the imagination of the spectator, and obliges us to see the person in a certain way.
Blue liner at the lash line is a great way to brighten the eyes. I also love using a flesh-toned eye pencil on the water line to neutralize any redness. Tipping the lashes with navy mascara is another great way to make the whites appear whiter.
You told me once, long ago, to look into a mirror and see your face. I refused to then. But now Mnimi has forced me to look at my own reflection. I’ve seen it through my eyes and I’ve seen it through yours. I wish to the gods that I could change what happened between us. If I could go back, I would never deny you. But I can’t. We both know that. Now I just want the chance to know you as I should have known you all those centuries ago. (Styxx)
My journey began with a single pencil. While traveling through India in 2006, I asked a boy begging on the streets, 'If you could have anything in the world, what would you want?' and he answered me with two words: 'A pencil.' Luckily, I had one in my pocket, and in the second it took me to give it to him, a defining dream was born.
Maturity is a stage of life when you don't see eye to eye but can walk arm in arm.
Where the shadow of the bridge fell I could see down for a long way, but not as far as the bottom. When you leave a leaf in water a long time after awhile the tissue will be gone and the delicate fibres waving slow as the motion of sleep. They don't touch one another, no matter how knotted up they once were, no matter how close they lay once to the bones.
I did not want to move. For I had the feeling that this was a place, once seen, that could not be seen again. If I left and then came back, it would not be the same; no matter how many times I might return to this particular spot the place and feeling would never be the same, something would be lost or something would be added, and there never would exist again, through all eternity, all the integrated factors that made it what it was in this magic moment.
I'm absolutely not an athletic person, but I used to be married to a runner. He would say that, especially in long-distance races, you could tell who was going to win and who wasn't, and if the person was present behind his eyes, if he was looking around and paying attention, you could be pretty sure he wasn't going to win. The person who was tranced out had a much better chance of winning. Because he or she had lost his or her governing self.
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