A Quote by Gotye
I've been very lucky to work with many amazing animators and directors who can interpret and extend the music I make. When it's done well, it can create extra meaning and new context for the song.
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Pedro's Almodovar different - very unique, very particular and difficult to compare to anyone else. But I've been lucky with many of the people that I've worked with. I think I've been very lucky with great opportunities - directors like Stephen Frears, Cameron Crowe and Fernando Trueba, as well as Bigas Luna, who gave me my first opportunity. There are a lot of people I would love to work with again. But, of course, I have a special relationship with Pedro and I don't think it's good to hide that.
My place in design history is to sort of interpret youth culture, and I think we've seen that done in fashion before - it's not a new concept - but it hasn't been done with the same vigour in a modern context.
I have been very lucky to work in so many new ballets, but that is what a dancer's work is.
Since the waiting time required during the rendering process has been dramatically shorter in the last 10 years, I think that CGI animation has finally become practical. It is a fact that I processed the Steamboy work based on the assumption that the machine spec would be higher. In that context, young 3D animators have also gotten more skillful in recent years. But what I didn't expect is that the skills of traditional 2D animators have become worse, and notable young animators have not come out to the scene. This is a big issue for the industry.
I've been very lucky being in New York. While there are many things that have impacted my life, I have been able to stay here and do my own work.
Yes, alas, I've been on some recording sessions where the music wasn't good. Not so many, really, considering how many I've done. It's a very awkward situation because to do a recording well you focus on the positive of what will make the piece better.
I've been very lucky to work with a lot of amazingly supportive directors.
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
I've been very lucky; God has done amazing things for me.
Obviously, I've been very lucky in general in my career, but I feel that I've been very lucky in terms of having directors come along at the right times who have taken me to the next level of where I needed to be.
At this stage, most of the awards I get are concerned with my longevity. Even I'm amazed at myself because there have been new generations since I've been born and new music that they create, so it's amazing to still be on the radar.
I believe you can never stop growing and learning and I've been very fortunate to have been working since I was 10 or 11-years-old. I have learned so much throughout the years working with amazing directors and great actors as well. This was really a huge step for me because it's very different from anything that I've done before but I think the biggest difference here is that the cast we were surrounded by in this movie was unbelievable.
I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
Performing live has been one of the most important opportunities I've been given, and I am lucky to share my music with so many of my amazing, loyal, and diverse fans.
An actor and a [theatre] director are both what I would call interpreters of work. We interpret a work, just as a musician will interpret a composer's work, we interpret the work of a playwright. We are servants of the theatre and I've always believed that. We must serve what has been written, that's what we're there for.
It sounds cheesy but I think my life's kinda like a fairy tale. I worked really hard, but I'm very, very lucky too. I'm just 16 and I've done so many amazing things. I travel the world, I have fans who support me, and I get to do what I love - make movies, sing and really be myself. I have a beautiful family, a great support system, and wonderful friends - and I go shopping every week! I'm so lucky, but it's not necessarily like "A Cinderella Story."
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