A Quote by Govinda

I want to get away from my comic image. Not that I won't do any more comic roles, but I won't opt for the usual 'Govinda' type of comedies. — © Govinda
I want to get away from my comic image. Not that I won't do any more comic roles, but I won't opt for the usual 'Govinda' type of comedies.
I looked at Tank Girl, which is the coolest comic, ever. The movie didn't make the comic book any less cool. The comic is still the comic.
Comic books sort of follow with the move - if people see the movie and if they're interested in the character and want to see more of the character, they start buying the comic books. So a good movie helps the sale of the comic books and the comic books help the movie and one hand washes the other. So, I don't think there's any reason to think that comics will die out.
To me, my favorite comic book movies were the ones that were never based on comic books, like Unforgiven. That's more the kind of thing that get us inspired. Usually when you say something's a comic book movie, it means you turn on the purple and green lights. Suddenly that means it's more like a comic book, and It's not really like that.
We're comic. We're all comics. We live in a comic time. And the worse it gets the more comic we are.
It's not Comic Con any more. It's this huge marketplace for the motion picture and television industry. And the toy manufacturer's and the game people. One of the problems with International Comic Con is that tickets go on sale for the next year's event and the place is full of thousands and thousands of kids who have scraped together every dime to get admittance because they want to get all the freebies.
People think that because I play comic roles, my films will have a comic flavour as well. But I am a student of drama.
I enjoy doing comic roles that blend with the story. I am looking for cinema that is sensible and is entertaining and engaging, be it is comic or serious.
We have had no good comic operas of late, because the real world has been more comic than any possible opera.
I didn't want to do character roles because when you are doing comic characters, you only get character roles.
Almost any tale of our doings is comic. We are bottomlessly comic to each other. Even the most adored and beloved person is comic to his lover. The novel is a comic form. Language is a comic form, and makes jokes in its sleep. God, if He existed, would laugh at His creation. Yet it is also the case that life is horrible, without metaphysical sense, wrecked by chance, pain and the close prospect of death. Out of this is born irony, our dangerous and necessary tool.
A lot of times I play the villain or the comic relief, and I get to kind of play the comic relief to a degree, which is fun, but I also get to say, "You are created in the image in God. You are a perfect child of God. And this part of you is the heart of who you are. You're not alone, and you're okay just the way you are."
I grew up reading comic books. Super hero comic books, Archie comic books, horror comic books, you name it.
I would love to break away from my comic image.
In any kind of comic scene you're going to perhaps push the boundaries of plausibility but as long as there is some semblance of logic I think as an audience you'll buy it and as an actor, when it comes to playing things like that, it gives you something to delve into. When I don't buy into a comic scene is the type of scenario where you'd just go: "Well, that would never happen."
The first comic I read was a Spider-Man comic, and my introduction to it was through my family. My cousins are a lot older than me, and they've been huge comic book fans, from the jump.
'Blade Runner' was a comic strip. It was a comic strip! It was a very dark comic strip. Comic metaphorically.
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