A Quote by Govinda

I've a track record of successful comedy films spread over more than a decade. — © Govinda
I've a track record of successful comedy films spread over more than a decade.
I think comedy is a bit more international than people credit. I happily watch lots of American shows and American comedy films. If I did a list of the top 10 comedy films in Britain, there's no sense that it would probably be different than yours.
I've often said there's no such thing as a track record in TV. I seen people who created things much more successful than mine treated like dirt.
I largely defer to the cognitive ethologists. I believe that the arguments that they make on this score are extremely persuasive. More than this, I do think as well that a priori objections by philosophers to successful research programs in the sciences have a very bad track record.
Luxembourg has a track record of being successful when it takes risks. You need to take on risks to be successful.
Look at my track record for showing up to fights. Look at my track record of finishing fights. Look at my track record of getting fight night bonuses. Ask yourself if you think that if the UFC decided to truly put marketing dollars behind me that they couldn't sell me or my fights.
There are films that I've made that I like a little bit more than the others. But the films that I mostly watch, and see over and over again, are not my own.
Succes is really nothing more than the record of failure. To be successful means you must be willing to fail more than anyone else.
How about no one's ever going to outsell Michael Jackson at selling records because the record industry is over. Game over. There's no more record stores. With no more record stores there's no more pressing plants. With no more pressing plants, there's no more charts.
Hollywood is, I always argue, has a great track record of making good films.
Now there are three guys who directed "Twilight" films that had a gross of a gazillion dollars. All those "Hunger Games" guys, the "Divergent" guys. All those people. When they are looking for the next big director, they see they have a track record. So there's 20 people that spun off of "Twilight" that have more qualifications than any woman.
For more than a decade, I led an organization that put on an elaborate Christmas program each December. It was a big production, with over 250 people participating in more than 20 performances. By the end of the season, everyone who participated was exhausted.
There's an infectiousness to comedy. It's meant to be shared and spread, so I feel like any message that you're talking about through the vehicle of comedy is going to get further than if you just straightforwardly said it.
When 'Malcolm in the Middle' was over, I was looking for a drama more than a comedy...but if it was a comedy that came up, it would have to be as well-written as 'Malcolm' was, and it would have to be a different kind of character than I played on that show. That's harder to come by. In drama, there were more opportunities, more options for me, and when I read ('Breaking Bad'), it was just, 'Good night, Nurse! I'm going after this sucker!'
[D]ecade after decade, through taxes and regulations, governments at all levels took ever-increasing control over people's lives, wealth, and property. The control grew exponentially, decade after decade. The rationale was that the control was necessary -- for society, for the poor, for the nation, even for freedom itself. Americans continued living their life of the lie: they continued believing that the more control government exercised over their lives and property, the freer they became.
I used to do more melodic stuff, and I used to do more actual rap - like traditional hip hop vocals. I think my method of storytelling has led me to this point, at which I want to pare down my style. I think I give the lyrics more thought, and then when I try to perform the lyrics over the track I'll try it over and over again, and eventually the lyrics will sink into the track by the way I project them.
At this moment, everyone is in crisis, not only in Italy but all over Europe. Only in America do they make films that are successful all over the world. In Europe, production is quite poor. We have three or four or five films, which is not enough.
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