A Quote by Grace Cavalieri

I get a huge energy transfusion from listening to poets read their works. — © Grace Cavalieri
I get a huge energy transfusion from listening to poets read their works.
The works of great poets have never been read by mankind, for only great poets can read them.
All poets who, when reading from their own works,m experience a choked feeling, are major. For that matter, all poets who read from their own works are major, whether they choke or not.
Three women were brought to the Singapore General Hospital, each in the same condition and needing a blood transfusion. The first, a Southeast Asian was given the transfusion but died a few hours later. The second, a South Asian was also given a transfusion but died a few days later. The third, an East Asian, was given a transfusion and survived. That is the X factor in development.
I worked privately, and sometimes I feel that might be better for poets than the kind of social workshop gathering. My school was the great poets: I read, and I read, and I read.
My biggest poetic influences are probably 20th-century British and Irish poets. So I suppose I'm always listening for the music I associate with that poetry, the telling images, the brevity. I want to hear it in my own work as well as in the poetry I read. However, I think I'm generally more forgiving of other poets than myself.
I'm on my boat, training, rehearsing; I spend all my energy on the job that's coming up, and I found that's the way that works for me. The more energy you have on set, the better you'll be; it's all about being alive in that moment and listening.
Like in Africa, if somebody doesn't have fuel, they're still going and collecting firewood. If they get an oven, that's a huge difference. You can do things to reduce the inequities by making sure that they can get clean energy, safe energy. To make sure they're not having to collect water every day. That's huge for women in the developing world.
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
My advice to aspiring poets is to find a community of other poets who are willing to read one another's work. And to read widely, in a variety of time periods and cultures, to identify which traits of poems are appealing and which aversive. And what can be stolen.
I do not remember where I read that there are two kinds of poets: the good poets, who at a certain point destroy their bad poems and go off to run guns in Africa, and the bad poets, who publish theirs and keep writing more until they die.
I don't know if younger poets read a lot of, you know, the poets - the established poets. There was a lot of pretty boring stuff to sort of put up with and to add to, to make something vital from.
My life all-around is really different than a lot of other poets. Not poets that are parents, too, but just that I can hardly find anyone who works in the industries that I've worked in.
It was huge to read the Proverbs of the day every morning, it was huge to read the Psalm of the day every morning and to get that in us and get us going before the day even started.
I think for us as people, when we can help someone with a blood transfusion, when we can help somebody with a monetary donation that can go towards research, to know that you can possibly save a life, it's huge.
People who relax by watching TV instead of going out to engage with the world tend to be far less energetic. the benefits of exercise in protecting against depression and mental ill-health are huge. Those around you can also affect your energy levels. Self-talk also works wonders on energy levels.
I feel like listening is a huge part of life - not only listening to people, but listening to people that you believe in, people who you think are wise.
This site uses cookies to ensure you get the best experience. More info...
Got it!