A Quote by Grace Cavalieri
I am a product of the "Hippie" theater movement of the '60s.
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You might see someone with dreadlocks and label them a hippie in your head, but that doesn't mean they think of themselves that way. A lot of people look at me and see I have a beard and shaggy hair, and think I'm a hippie. I'm not a hippie, and I'm not not a hippie. I don't know what the f**k I am.
In the late 60's to the early 70's, I was caught between the hippie and the skinhead movement. I had my hair cut so I didn't look like a straight at a hippie event, and I didn't look like a hippie at a skinhead event. It was a good haircut.
The fact that we were encouraged to follow our conscience and not to follow the crowds - that's something I really miss. On the other hand, there were things that drove me nuts in the '60s. There was an aspect of the hippie movement that everyone is an artist, which is lethal.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
I am not a violent person. I am a product of the Flower Power '60s. I have actually worn bell-bottomed jeans.
I was influenced by the hippie movement in San Francisco and by the feminist movement, which had arrived in Paris.
In the '60s, when I was growing up, one of the great elements of American culture was the protest song. There were songs about the civil rights movement, the women's rights movement, the antiwar movement. It wasn't just Bob Dylan, it was everybody at the time.
In the ’60s, when I was growing up, one of the great elements of American culture was the protest song. There were songs about the civil rights movement, the women’s rights movement, the antiwar movement. It wasn’t just Bob Dylan, it was everybody at the time.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
I was certainly a child of the '60s, and I came out of that era, and as a young actor, I got cast as a lot of counterculture hippie types.
I'm a hippie child of the '60s. What drives me crazy about mass media entertainment is that it's so often devoid of any ideas.
1968 was the beginning of the hippie movement in fashion. That movement made fashion change completely. It was not necessary to be always dressed up. You could be dressed the way you wanted - it was absolute freedom.
I am an old-school guitar player. I'm not an '80s-'90s sort of shredder who plays a million notes a minute. I am way more '60s-'70s kind of style, and I write very '60s-'70s.
I'm a child of the '60s, I came of age then. I went to a couple of demonstrations, and then in the late '60s when the Vietnam anti-war movement grew as the Vietnam War was heating up, I became very involved in that.
I came at age in the '60s, and initially my hopes and dreams were invested in politics and the movements of the time - the anti-war movement, the civil rights movement. I worked on Bobby Kennedy's campaign for president as a teenager in California and the night he was killed.
My style is cinematic; it is a touch of French woman of the '60s and American hippie with a Brooklyn edge. I love wearing wide-brim hats, newsboy caps, mini dresses and sheer blouses with details.
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