A Quote by Grace Chatto

We built a bit of an audience at our university in Cambridge, playing Beethoven and Mozart quartets. — © Grace Chatto
We built a bit of an audience at our university in Cambridge, playing Beethoven and Mozart quartets.
My grandmother got me recordings of the 'Goldberg Variations,' in addition to the 'Brandenburg Concertos,' the Mozart string quartets and Beethoven's 'Seventh Symphony.'
Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both.
I play the piano and have been playing since I was 7, mainly classical Chopin, Beethoven, Mozart.
If you go to Japan for instance, you should know that they have a different way of playing Beethoven or Brahms. But if you play with them Mozart, Debussy, Mendelssohn, they have a wonderful light feeling for that.
I did not enjoy Cambridge. But I shouldn't blame Cambridge alone. I wasn't ready for university or for the wrench of leaving home. It was a big cultural shock.
There was one thing Beethoven didn't do. When one of his string quartets was played, you can believe the second violin wasn't improvising.
I would say that Beethoven's late string quartets are the nearest to God that we'll ever get.
When you hear Bach or Mozart, you hear perfection. Remember that Bach, Mozart and Beethoven were great improvisers. I can hear that in their music.
My wife and I just started listening to the late Beethoven Quartets together, an activity I recommend for all married couples, but that doesn't really mean that I'm finished reading.
While I'm working, I stick with music that won't distract me - the dub stylings of Scientist and King Tubby, maybe some Beethoven string quartets.
I believe in God, Mozart, and Beethoven.
Beethoven's string quartets express pain itself; it is not MY pain.
Our goals should stretch us bit by bit. So often when we think we have encountered a ceiling, it is really a psychological or experiential barrier that we have built ourselves. We built it and we can remove it.
The pieces that have survived, the ones that we all love, were not all popular in their time. Just look at Beethoven's late string quartets. The music that the musical community selects, however, is usually the very best.
Playing the Beethoven symphonies, for example, is a consummate experience for a musician because Beethoven speaks so directly to who we are as people.
I love Bach, I love Beethoven, I love Mozart, I love the Beatles, I love you know, Stockhausen, I love many things. But for some reason I come back to Elizabethan music because it's a little bit like the Beatles.
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