A Quote by Grace Chatto

We do write our own music. — © Grace Chatto
We do write our own music.

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I have come from France more firmly convinced than ever that Negros should write Negro music. We have our own racial feeling and if we try to copy whites we will make bad copies…We won France by playing music which was ours and not a pale imitation of others, and if we are to develop in America we must develop along our own lines.
Texas is really special in that we have our own music scene, our own music chart. It's almost a genre on its own. It feels like you can make a great living just touring the state because it's so big, but eventually, I wanted a new challenge.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
I'm so lucky that I get to write my own music and write my own stories, so every single time I look down in the audience and I see somebody singing the words back to me, it makes it all worth it.
I come from a place of darkness when I write because I'm always trying to figure things out. It's kind of like my own therapy when I write music. It's me working through my own problems hopefully. And putting it into a song.
We also write to heighten our own awareness of life... We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it...to teach ourselves to speak with others, to record the journey into the labyrinth. We write to expand our world when we feel strangled, or constricted, or lonely... When I don't write, I feel my world shrinking... I feel I lose my fire and my color.
We're on an indie label. We don't have mass marketing behind us, and we don't have big budgets. We do our own thing. We do exactly what we want to do. We produce our own music. We write ourselves. We record ourselves. We mix ourselves. The artwork is done by my brother. That's not selling out. We're doing exactly what we want to do.
Everybody has they're own audience you know what I'm saying. I write rhymes and make music for the people that I fell wanna hear my music. They write rhymes and make music for the people they feel wanna hear they're music.
All the great masters in the world have been saying only one thing down the centuries, "Have your own mind and have your own individuality. Don't be a part of the crowd; don't be a wheel in the whole mechanism of a vast society. Be individual, on your own. Live life with your own eyes; listen to music with your own ears." But we are not doing anything with our own ears, with our own eyes, with our own minds; everything is being taught, and we are following it.
I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
Basically we just created our own label, but again we just did it to document our own music and create our own thing, so the major labels were just always out of our picture, we're not interested.
I write my music to minister to myself. I have enough sin and enough shortcomings and enough need in my own life that I don't need to write to evangelize to the "masses." But if someone else can hear my music and relate to it with the same need that I do, then I give God the glory for that.
I write to music, so every script I have has its own playlist. Music just opens me up to the emotions that I'm writing.
Because obviously when we write our music, we pour our heart and soul into it. I put everything into my music... I just feel like, I want people to actually hear what I have to say.
At the end of the day, if you're an actor, you want to act. And it's not something you can do in the living room alone. If you're a painter, you can paint at home. If you write music, you can write on your own.
As for my own music, I've never written a book about it. I'm not pedagogical... When I write an abstract piano sonata or a concerto, I write what I feel. I'm not a self-conscious composer.
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