A Quote by Grace Chatto

Shooting videos is the most intense, full-body experience. — © Grace Chatto
Shooting videos is the most intense, full-body experience.
• Eating disorders are addictions. You become addicted to a number of their effects. The two most basic and important: the pure adrenaline that kicks in when you're starving—you're high as a kite, sleepless, full of a frenetic, unstable energy—and the heightened intensity of experience that eating disorders initially induce. At first, everything tastes and smells intense, tactile experience is intense, your own drive and energy themselves are intense and focused. Your sense of power is very, very intense. You are not aware, however, that you are quickly becoming addicted.
Shooting videos with lots of effects is like shooting a bunch of puzzle pieces.
I never expected to make the videos a full-time job. I thought I would continue to work as a freelance Web designer and just do the videos for fun. But the audience built so quickly that it became full-time.
One of the things I love about shooting the most is that there's no specific body type or body build that someone has to have.
I was never interested in becoming an actor. I was directing videos. I was never into acting. I was into shooting music videos. I've only ever been behind the camera. Never in front of it.
With most of the songs and music that I've composed, irrespective of the myriad videos made, I was always careful not to overly define the experience, leaving room for people to internalize things for themselves, making their experience more integral.
If I'm in a room full of intense people, I'm pretty normal. If I'm in a room full of people who aren't, maybe I'm intense. I don't know, I don't think of it that way.
We had an amazing experience shooting the first season of 'Leverage' with such a talented cast and crew and with the full support of TNT behind us.
The classic Soul Travel experience is leaving the human body in full awareness and having the Light and Sound of God flow directly into the Soul body.
There has been evolution in my work. In the beginning I was very much busy with the physical body and the limits of the physical body but that somehow naturally led me to the mental body and how I could deal with that. Stillness is so much harder, especially for three months. It was a big challenge. As a performer it is the most difficult experience one can have. And the interactive experience with the public made it even harder.
I think that being alive is intense for most beings in some way. Even the process of being born is an intense one, and coming to see and understand and experience the physical world, and all that goes along with being a physical being, and experiencing all of these different forms of loss throughout life.
I like taking a character at the most intense moments of their lives and exploring all that in full and then moving on.
I learned mime back when I was in college, at Ball State University, Indiana. That woke up my body from the neck down and made me realize that acting and communication - portraying a story, event, or emotion - is a full-body experience.
If I'm in a room full of intense people, I'm pretty normal. If I'm in a room full of people who aren't, maybe I'm intense.
I didn't take a lot of the videos seriously; making videos was one of the most tedious things that you can imagine.
The other thing is that it's really hard to separate out the harassment from everything we do. When we started creating Tropes, we were hyper-aware of the intense scrutiny, the intense harassment, and the intense pressure to do something meaningful given the attention both positive and negative. That's carried over in terms of making sure that I produce the best work that I can, that's the most accurate, the most sensitive and engaged.
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