A Quote by Grace Chatto

'A&E' is one of my favourite songs we've made in terms of the production. — © Grace Chatto
'A&E' is one of my favourite songs we've made in terms of the production.
The ultimate aim of production is not production of goods but the production of free human beings associated with one another on terms of equality.
We did not speak in terms of strategy, in terms of overall economies, in terms of production and territorial conquest. We spoke of the impact of the bomb on the homes and the hopes of men and women.
I always look at my favourite photographs or favourite movies by James Bidgood or Sofia Coppola before I write my songs - they put me in the right frame of mind.
The type of cartooning that I think is generally referred to as 'alternative' or 'underground' is usually - the distinction is usually in terms of whether it's made by one person, the entire thing is done by one hand or more of a production line process, which is how the comics that we grew up reading were made.
Your favourite songs by your favourite bands are never the singles. It's when they've done exactly what they wanted without any compromise and not worried about the reaction.
I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
Late night chaining of videos and basically obsessing are rare for me, and often I've never even seen the videos of my favourite songs. That said, in terms of my own personal magic, video has probably rated lower than most music fans.
When I made 'Feed tha Streets,' those were the only 17 songs I had made, period. There was no cutting songs out or adding other songs in.
To sum up, agriculture has made important progress and our farmers have now shown that they are second to none in terms of improving production and productivity.
I don't have any favourite lyrics. Honestly, all of them I love 'em to death - it's the same with songs. I don't have just one favourite lyric, I love them all.
You can't have a favourite meal, like you can't have a favourite movie or a favourite book or a favourite child.
In terms of the production, the style I use is what I see as the 'Lisa Stansfield sound' and I would hope that when anyone puts on one of my songs they don't even have to listen to my voice to know this is a Lisa Stansfield song, because of the way it sounds.
The rest of the songs on the album [Mortal City ] have spare arrangements on them. Steve [Miller], really loved that. He'd just come off of a project with someone who basically had to mask the fact that there were no songs there with production. He said, "Oh, my God, you have real songs here!"
I've made club songs, and I've made radio songs, and I've made the car songs.
Wonderful songwriting, beautiful production, and deeply rooted in what makes American Roots Music great: Deep Southern Pain. It's the hurt that brings the songs, and it's the songs that heal the hurt. Jonathan's songs bring us there, and back. Check this record out, it's a good 'un.
I'm a big fan of new production techniques and new sounds. That's kind of what has been my focus out here; making sure that the songs can stand away from the production, however it's produced.
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