A Quote by Grace Chatto

We don't really think about it in a formulaic way, we just use the different styles as and when it feels right. — © Grace Chatto
We don't really think about it in a formulaic way, we just use the different styles as and when it feels right.
I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work.
If the entire script feels formulaic, then you know that the film will be like that. But if it's a really interesting script, and the character happens to be formulaic, then maybe there's a way of making them more interesting.
Just a whole different style, just a whole different way of going about an audience and a way about skating. And they are so brilliant in their own way, which is great, and that's what Brian was saying; is the styles are different, and it's the whole mentality.
In translation studies we talk about domestication - translation styles that make something familiar - or estrangement - translation styles that make something radically different. I use a lot of both in my translation, and modernism does both. For instance, if you look at the way James Joyce presents Ulysses, is that domesticating a classic? Think of it as an experiment in relation to a well-known text in another language.
I really said, 'Okay, this is just the right job for me. This is really what I need to be doing: telling stories through music in lots of different styles of music.'
My friend goes, 'If you're going to use Rogaine, just put it somewhere you're going to remember to use it everyday.' So I put it right next to my Prozac. But now it just feels really pathetic using both of these products at the same time, 'cause if either one works, I don't really need the other one.
I think it's the strange irony that we make all these life choices before we're 40, because really we shouldn't make any until we're 40. It almost feels like you get a software upgrade and you start to experience life in such a different way, because you just don't suffer fools, you go straight for what means something and what feels good, and you stop caring about pleasing other people.
I'm really just trying... to write what feels true to me. I don't think about a lofty responsibility. I think I'd be paralyzed by that. Like any of my male colleagues, I'm writing the stories that interest me in a way that feels true to me.
I just do what feels right. I think the great thing about getting to do what I do is that you can try out being a different person without having to screw up your life to do it.
I don't believe in the reality of painting, so I use different styles like clothes: it's a way to disguise myself.
I think, one thing that I've really come to appreciate about my parents as I've got older is you know, how wise they really were. As a kid when I was growing up, as any kid, you think you know every thing and I was no different to that. I had different opinions on a lot of different things then them but the way they raised me, in hindsight, they were right.
It's really interesting to just look at the career of a musician and a producer that went into many different genres and many different styles and many different places but always breaking the barriers between genres and at some point reinventing himself all along the way but also inventing things at the same time.
I think people moving through space and the way they say lines, it's a puzzle to be solved every time. But there's a right way to do it that feels natural. And it's just kind of finding that right thing.
I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head. I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs...A lot of people don't listen to the lyrics, really. A lot of people pretty much only listen to the chorus.
I think that watching artists, soulful artists, they get into it. It's always the way I perform, so when I'm on stage I just try to get into it - I'm in my own world. That's the whole thing about the stage, it's like a sacred place. They're [the audience] watching into the different world, right, so it's like you see performers and they're in the same room, so it's a different vibe. Sometimes it's great, but I try to separate it, you know, I wanna separate it 'cos otherwise I feel naked. It just feels natural.
Aretha Franklin, she's just the most amazing singer ever. But I think there are so many singers that I just loved and sang along to on the radio. I guess I just enjoy trying out different styles along the way.
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