A Quote by Grace Hartigan
A work of art is the trace of a magnificent struggle.
Related Quotes
Desari reached up to trace his lips. ‘You have a perfect mouth, Julian. An amazingly perfect mouth.’ He arched an eyebrow at her. ‘Just my mouth is amazing?’ ‘You are such a man.’ Her eyes laughed at him. ‘You need constant reassurance that you are magnificent.’ He nodded. ‘Magnificent. I like that. I could live with magnificent. Good choice of words, lifemate.
Every artist has his or her struggle to work out in their work. The more powerful the struggle, the more persuasive the art.
Art is often born from inner struggle. Artists are plagued by impulses they must express. Contentment does not seek action but struggle always seeks release, and for the creative it can take the form of art.
I struggle with the idea of comparing people's work and art. The notion of giving awards or putting a competitive spin on something that is a relative art form is sort of odd to me.
Baseball is beautiful....the supreme performing art. It combines in perfect harmony the magnificent features of ballet, drama, art, and ingenuity.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
Making art, good art, is always a struggle. It can make you happy when you pull it off. There's no better feeling. It's beauteous. But it's always about hard work and inspiration and sweat and good ideas.
I work in the field of art, and you know how during a period of Marxist ideology, fewer people are inclined to believe in the power of the culture as a whole: they believe in the revolutionary potential of economics, class struggle theory.. ..Therefore it's time to show that art means the power of creativity, and it's time to define art in a larger way, to include science and religion too..(1973
Art is a weapon in the struggle of ideas, the class struggle.
What is being black? It's making the most of your life, not taking a single moment for granted. Taking something that's seen as a struggle and making it work for you, or you'll die inside. Not to say that my struggle is like the collective struggle of black America. But maybe my struggle is similar to one black dude's.
I would simply ask why so many critics, so many writers, so many philosophers take such satisfaction in professing that the experience of a work of art is ineffable, that it escapes by definition all rational understanding; why are they so eager to concede without a struggle the defeat of knowledge; and where does their irrepressible need to belittle rational understanding come from, this rage to affirm the irreducibility of the work of art, or, to use a more suitable word, its transcendence.
What is it about a work of art, even when it is bought and sold in the market, that makes us distinguish it from . . . pure commodities? A work of art is a gift, not a commodity. . . works of art exist simultaneously in two “economies”, a market economy and a gift economy. Only one of these is essential, however: a work of art can survive without the market, but where there is no gift, there is no art.
If we see someone, an artist who just does magnificent art, and especially if they're already doing Ghost-related art, we just reach out and start collaborating. But when it comes to the record sleeves and the tour posters, I'm usually quite particular.
Work, work, work, but what mark do we leave, what point do we make? People who are too beholden to work become like erasers: as things move forward, they leave in their wake no trace of themselves.
The dimensions of a work of art are seldom realized by the author until the work is accomplished. It is like a flowering dream. Ideas grow, budding silently, and there are a thousand illuminations coming day by day as the work progresses. A seed grows in writing as in nature. The seed of the idea is developed by both labor and the unconscious, and the struggle that goes on between them.
Now culture being a social product, I firmly believe that any work of art should have a social function to beautify, to glorify, to dignify man... Since any social system is forced to change to another by concrete economic forces, its art changes also to be recharged, reshaped, and revitalized by the new conditions... The making of a genuine artist or writer is not mysterious. It is not
the work of Divine Providence. Social conditions, history, and the people's struggle are the factors behind it.
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