A Quote by Grace Helbig

My first sketch-writing class was with Kevin Allison from 'The State.' It was so cool. — © Grace Helbig
My first sketch-writing class was with Kevin Allison from 'The State.' It was so cool.
I met Kevin when I was 19, at a Second City workshop. We were paired up together in the first class I went to. By the end of the class we formed our improv group, and over the next three years we performed leading up to the formation of The Kids in the Hall.
Allison Janney is the best actor on the series.Allison is one of the few actors I ever worked with who is incapable of hitting a false note.
There is no means of testing which decision is better, because there is no basis for comparison. We live everything as it comes, without warning, like an actor going on cold. And what can life be worth if the first rehearsal for life is life itself? That is why life is always like a sketch. No, "sketch" is not quite a word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch for nothing, an outline with no picture.
When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
The first joke I got on the air I remember clearly. Dennis McNicholas and Robert Carlock wrote a sketch where they were evacuating the Titanic, and the last two guys on the entire ship were the two black guys, Samuel L. Jackson and Tracy Morgan. So Will Ferrell was running back and forth, saying, "All first-class passengers get in the lifeboat. All second-class passengers and third-class passengers get in the lifeboat. Let's get all the animals in the lifeboat. Let's put all the empty luggage in the lifeboat."
A sketch will not serve more than one state of mind & will not serve to drink at again & again — in a sketch there is nothing but the one state of mind — that which you were in at the time.
My students - all adults - bring a lot of writing skill to the first class, and they and I get better as the class progresses.
My first real break was when my college sketch troupe, The State, was asked to contribute pieces for a new MTV show called 'You Wrote It, You Watch It.'
Allison Janney's character in 'The West Wing' was so rocking! I am a huge fan of Mary Louis Parker and her character in 'Weeds.' My manager says, 'you have to grow into yourself, Allison' because all the characters I want to play are, like, 39.
If you travel first class, you think first class and you are more likely to play first class.
I view my stories as sexual or personal. Curiously, I don't. When I was writing those stories I thought of them as comedy pieces in the vein of performance monologue, such as you might get with Richard Pryor, or Lenny Bruce, or George Carlin. So I don't feel vulnerable because I know the line of demarcation between "Writer Kevin" and "Narrative Kevin."
Sketch shows change gears so drastically every two minutes. I think sketch shows are for sketch fans; they're not really for everybody.
There was a male sketch group in my college. I was like why isn't there a female sketch group? So then I started doing sketch comedy and all that stuff. It just happened.
If you haven't taken a writing class, take a writing class. I took every class that was available in my area. I went to conferences inside and outside my area to network with people. That's how I got my agent. I found my agent through another agent who was at a conference.
I remember one spring when I was doing the team's telecasts, Bob Allison was with me, and we were walking through the clubhouse in Orlando. This kid who was trying to make it with the Twins as an outfielder came up to me and asked who was that with me. I said that's Bob Allison, and you better hope you have as good a career as he had.
After all, if there is no class stratification in a society, it follows that there is no state, because the state arose as an instrument to be used by a particular class to control the rest of society in its own interests.
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