A Quote by Grace Kelly
A person has to keep something to herself or you're life is just a layout in a magazine.
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In order for a person of color to get on a cover of a magazine, they have to do something prolific - winning an Oscar, being the first billionaire, you know, or whatever. I think it's becoming more natural that somebody can get on the cover of a magazine just because they're an amazing person. That's what it should be.
I changed the layout of comic books in general. When I came in, layout design wasn't really part of what you did. It was all just panels, panels, panels. So when I came in, I thought, 'Nah, let's change that,' and I designed the page.
That's the storyboard that we have in the beginning [of Valerian]. It's an easy shot. It's just a spaceship coming in. That's the first layout. On the first layout, we see the timing of the shot and the speed. It starts to get some shadows, and we see that everything is moving in the back.
Time magazine has selected their person of the year. Guess what, it's President-elect Barack Obama. Yeah, ironically, Ebony magazine announced their person of the year, and it's Ed Begley Jr.
She couldn't steal herself back from Randa only to give herself away again - belong to another person, be answerable to another person, build her very being around another person.
I think it's good if a man gives a woman some time to herself because I think we all need that and we can all benefit from that. It doesn't imply a rejection of the other person, just a sense that because we do have our separate identities, sometimes you have to be less involved in another person's life or need to have that other person be less involved in your life.
With each of those projects I wasn't thinking about how the layout would really affect the story I was working on - it wasn't the content that was affecting the layout, it was, how I wanted to draw at that point in time.
Even though all these obstacles keep coming at you, you just have to keep going through them. Because it's worth it to do something in your life, as opposed to fantasizing about doing something.
There is no recipe for good layout, what must be maintained is a feeling of change and contrast. A layout man should be simple with good photographs. He should perform acrobatics when the pictures are bad.
With each of those projects I wasnt thinking about how the layout would really affect the story I was working on - it wasnt the content that was affecting the layout, it was, how I wanted to draw at that point in time.
I was, I think, extremely lucky, because the minute I saw my face plastered on 'Time' magazine in the subway with my mother, I just said, 'Wow.' And it made 'Time' magazine come down to life-size scale.
Most headlines are set too big to be legible in the magazines or newspaper. Never approve a layout until you have seen it pasted into the magazine or newspaper for which it was destined. If you pin up the layouts on a bulletin board and appraise them from fifteen feet, you will produce posters.
I'm gonna try to talk about this in a secular way, but where's the spirituality of just being a person? I think it contributes to this rise in bad manners and mean comments; people are being driven by seeking something that's just designed to keep them seeking something. I'm not reducing people in this age to phone-addicted dum-dums, but we have to remind ourselves to also study compassion and inner life as well.
The ideal set-up would be the story man, the director, and the layout man, as well as musician, operating as a sort of story unit. They all should be keenly interested in the picture. No one in person should donate to an extent where he would keep the others from entering into the production and freely expressing themselves.
People relate to life being challenging and hard, and still trying to keep a positive attitude and keep going. If you're alone, there's nothing wrong with that. That's fine. But, finding the right person is something that you would really like and hope for.
And what we called photojournalism, the photos seen in places like Life magazine, didn't interest me either. They were just not good-there was no art there. The first person who I respected immensely was Henri Cartier-Bresson. I still do.
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