A Quote by Grace Lee Boggs

When I came to Detroit, if you threw a stone up in the air and it came down, it would hit an autoworker because the Chrysler Jefferson plant where my husband worked was very close also to where we lived.
When I came to Detroit, if you threw a stone up in the air it would hit an autoworker on its way down. A few years after that, if you threw a stone in the air it'd hit an abandoned house or a vacant lot on its way down. And most people saw those vacant lots as blight. But meanwhile during World War II, blacks had moved from the South to the North. And they saw these vacant lots as places where you could grow food for the community. And so urban agriculture was born.
I came over here and worked for rock magazines, and I worked for Rolling Stone, which has a very high standard of journalism, a very good research department.
I became pregnant by my first love at 17 and did what my parents thought was the right thing. I married him. My first husband and I moved to Janesville, Wis., where he worked in a Chrysler plant.
Down at Bournemouth, I kicked a tray of cups up into air, and one hit Luther Blissett on the head. He flicked it on, and it went all over my suit hanging behind. Another time, at West Ham, I also threw a plate of sandwiches at Don Hutchison. He's sitting there, still arguing with me, with cheese and tomato running down his face.
One time in spring training, we had the hit-and-run on, and Carl Erskine threw me a curve and I struck out into a double play. I came back to the bench and Casey [Stengel] said, 'next time, tra-la-la.' I didn't know what tra-la-la meant, but next time up, I hit a line drive, right into a double play. When I sat down, Casey came over and said, 'Like I told you, tra-la-la.'
The first 10 years of my life, I lived as 'Matangi.' When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name. My auntie came from Europe to visit us, and she was like, 'Just call yourself something else.'
I would agree that President Carter didn't live up to the expectation we all had when he came in 1976. My husband and I were young idealists who worked on his campaign.
Jesus isn't a God who stayed on the mountaintop - he's a Savior who came down and lived and worked with the people.
I grew up in Nova Scotia, and my uncle lived close to the Bay of Fundy. We would walk across the mud flats out to an island, and then you'd climb a cliff and be in the forest. And if the water came in, the basin would fill up with, like, a 30-foot tide. It was phenomenal.
I can't honestly say where the inspiration for my work came from. I think it came from reading. It came from texts, from Nietzsche, Schopenhauer, it came from, you know, Jean-Paul Sartre. These are the ideas that got me worked up and inspired. It wasn't so much the visual things that inspired me. Although, of course, there were plenty of painters in history that I admired all the way from Brueghel to Goya, to Picasso - because everything visual stimulates me.
I came to America, and I made good. It's an old story, but it hasn't been told in a long time. Usually, it's, 'I'm an immigrant, I came here and got persecuted.' My story is I came here, I worked hard, and it worked out all right. So it's still available.
Don't run away from grief, o’ soul/ Look for the remedy inside the pain/ because the rose came from the thorn/ and the ruby came from a stone.
My parents were very humanistic, but where we lived was not the cultural center of the world. Hardly. So I came to New York for two reasons: to find my own kin and also to get a job. And that's what I came to New York for in '67.
There's a lot of gimmick infringement out there, but that's cool. It's a compliment. But it all started right when I first came into the Garden. I came down to Eye of the Tiger and when I hit the ring with the Sheik, I just put my hand up to my ear by accident, and the crowd got louder. I was like "Oh, that works."
I had a great deal of pressure to move to LA after Romancing the Stone came out and I'd become very popular. But people came to me anyway.
Where I grew up, in the Detroit area, there was a really good station. Sometimes you would hear songs for the first time on the radio, and if a really special song came on, somebody would turn it up, and everybody would just stop talking.
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