A Quote by Grace Meng

Oftentimes, the only evidence left behind at the scene of a shooting are bullet shell casings. — © Grace Meng
Oftentimes, the only evidence left behind at the scene of a shooting are bullet shell casings.
It was the combination of many factors... With most people, suicide is like Russian roulette. Only one chamber has a bullet. With the Lisbon girls, the gun was loaded. A bullet for family abuse. A bullet for genetic predisposition. A bullet for historical malaise. A bullet for inevitable momentum. The other two bullets are impossible to name, but that doesn't mean the chambers were empty.
When boys and girls go out to play there is always someone left behind, and the boy who is left behind is no use to the girl who is left behind.
I fractured my hand while shooting for 'Bullet Raja,' while we were shooting in Nashik.
Postmodernism, the school of 'thought' that proclaimed 'There are no truths, only interpretations' has largely played itself out in absurdity, but it has left behind a generation of academics in the humanities disabled by their distrust of the very idea of truth and their disrespect for evidence, settling for 'conversations' in which nobody is wrong and nothing can be confirmed, only asserted with whatever style you can muster.
I rarely feel the desire to reread a scene the day before the shooting. Sometimes I arrive at the place where the work is to be done and I do not even know what I am going to shoot. This is the system I prefer: to arrive at the moment when shooting is about to begin, absolutely unprepared, virgin. I often ask to be left alone on the spot for fifteen minutes or half an hour and I let my thoughts wander freely.
I think there has only been one time in my entire career that I've ever gone back to shoot a scene. And it was a scene that, when we were shooting it, we knew that it wasn't working. We knew there was a disagreement between the actor and director. So, we went back.
The only real difference between shooting 'Firefly' and 'Serenity' was that on 'Serenity,' we had a lot more freedom with time. When you're shooting a television show, you usually have anywhere between six and nine pages of script to shoot a day, and only twelve hours to do it. But with 'Serenity,' we could shoot one scene all day long.
Shooting a fight is like shooting any other scene. You have to tell a story using a very specific choreography.
Morality is a burglar's tool whose merit lies in never being left behind at the scene of the crime.
I have suffered as much as Martin Luther King. Only I didn't get the bullet. And I would have taken the bullet if I could have.
Making a mistake means overshooting a scene, shooting too many takes, for instance. Long after you've got it, you just keep shooting.
If we reverse the outer shell and the essence--in other words, consider the outer shell the essence and the essence only the shell--our lives might be a whole lot easier to understand.
Bigfoot does not exist because there would be evidence left behind - hair, feces, bones, kills, offspring, a carcass - if it did.
Nightly you retrace your steps again to return to the scene of the crime. It's uncanny how you hover in the air of the wreckage that you left behind.
There was a scene cut out of Big Fat Liar where I had to wear a dress. This may sound kind of weird, but I really enjoyed shooting that scene.
There was a scene cut out of 'Big Fat Liar' (2002) where I had to wear a dress. This may sound kind of weird, but I really enjoyed shooting that scene.
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