A Quote by Grace Slick

In Germany I ingested the entire contents of the hotel mini-bar before a show and stuck my fingers in this guy's nostrils because I thought they would fit. — © Grace Slick
In Germany I ingested the entire contents of the hotel mini-bar before a show and stuck my fingers in this guy's nostrils because I thought they would fit.
We [with Les Charles] started talking about hotel stories, and we found that a lot of the action was happening in the hotel bar. We actually thought of that while we were in a bar: "Why would anyone ever leave here?"
A hotel mini bar allows you to see what a can of Pepsi will cost in twenty years.
I collect hotel keys. I hope to make something out of them someday. It would be cool to make a bar at my house and, like, the bar is all the hotel keys: lay them down and put glass over them. Or maybe even a coffee table.
When we were kids, we would never open the minibar. A $6 Snickers bar? But the other day I was in a hotel and I was staring at a Snickers bar, and I finally just ate it. Then it was like something in me snapped. I opened all these drinks. I thought: I can do it now. Now I'm all grown-up. I can eat things from the minibar.
My entire book was typed with three fingers and a very confident space-bar thumb.
As I was whizzing around the United States on yet another demented book tour, getting up at four in the morning to catch planes, doing two cities a day, eating the Pringle food object out of the mini-bar at night as I crawled around on the hotel room floor, too tired even to phone room service, I thought, 'There must be a better way of doing this'.
I've thought my show would be a sitcom or a talk show. Never in a million years would I have thought my show would be docu-series/reality because you always think reality is something crazy.
John Boehner - doesn't he look like every guy you've ever seen at a hotel bar? He looks like the kind of guy who licks his thumb when he counts his money.
I had to find a way to get off the streets because it was too windy. So I started organizing variety shows of street performers. I would rent a hall, cafe or bar so I could put on a show. I did that for years before the 'Tonight Show With Johnny Carson' heard about this odd thing I did with bubbles.
So we came to the Ritz hotel and the Ritz Hotel was divine. Because when a girl can sit in a delightful bar and have delicious champagne cocktails and look at all the important French people in Paris, I think it is divine.
I'd say probably the most epic experience was before the Victoria's Secret show - I think it was before the casting - and I saw Naomi Campbell at a party. I was saying that I was nervous about my walk and she said "Come to my hotel tomorrow and we're going to practice." So I went in New York and we practiced in the hallway of her hotel with all of the hotel staff watching. She just said "Don't even flinch. Keep going!" It was hilarious, but I think that was kind of a confidence booster.
When we had ideas that earned there way in [Austin Powers], it began to get okay. The hook for me was 'Mini-Me.' We only auditioned one guy - Verne Troyer - and at the time I said, 'we have to get this guy, get him life insurance, whatever he needs' because there was no other way or actor to do it. It was amazing to me just to talk to him...he was Mini-Me.
...Jabotinsky insisted that all energies be expended to force the Congress to join the boycott movement. Nothing less than a 'merciless fight' would be acceptable, cried Jabotinsky. 'The present Congress is duty bound to put the Jewish problem in Germany before the entire world...(We [Jews] must) destroy, destroy, destroy them, not only with the boycott, but politically, supporting all existing forces against them to isolate Germany from the civilized world...our enemy [Germany] must be destroyed.
When I was about 17 I knew that I was going to be serious about music. Before that I thought, fairly certainly, that I would be a writer. Before that, I thought I would be a forward in the NBA. And before that I thought that I would own a snake farm.
When I was younger, I definitely had more of a dream, as they say on 'American Idol,' that I would have my own show. I always thought that that was something that would happen, that eventually I would just get my own show because anyone who wants their own show should get their own show.
My parents would frisk me before family events. Before weddings, funerals, bar mitzvahs, and what have you. Because if they didn't, then the book would be hidden inside some pocket or other and as soon as whatever it was got under way I'd be found in a corner. That was who I was...that was what I did. I was the kid with the book.
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