A Quote by Grace Slick

Applause is interesting, but I'm a monster with or without it. Something is either well written or it isn't. 'White Rabbit' is not well written, and no amount of applause or royalties can convince me it is. I could have done a better job with those lyrics. They didn't say what I wanted.
You can tell by the applause: There's perfunctory applause, there's light applause, and then there's real applause. When it's right, applause sounds like vanilla ice cream with chocolate sauce.
Well, I think if more people had more applause, it would make them feel better. I often give my wife a round of applause. If the meal is very good I give her a standing ovation.
When someone writes to tell me something I've written made them laugh or cry, I've done my job and done it well. The rest is all semantics.
Sometimes it's not even a role that's specifically written for a woman. It could be a role written for a white man or Asian man, or Latino. If it's something that I feel I could do well, I go after it. Especially if it's nothing that has to be gender or race specific, I'm all over it.
I had no idea what being on stage would be like or how I'd react to the applause. I didn't think I deserved their applause. Then I realized I'd done something to make them feel something. That made it okay. But it was weird. A nice weird.
Throw away my book: you must understand that it represents only one of a thousand attitudes. You must find your own. If someone else could have done something as well as you, don’t do it. If someone else could have said something as well as you, don’t say it—or written something as well as you, don’t write it. Grow fond only of that which you can find nowhere but in yourself, and create out of yourself, impatiently or patiently, ah! that most irreplaceable of beings.
I appreciate your applause, but I don't do it for applause. I do it for cash, it's much better.
When script is written well, then you start to make decisions of, "Well, do I want to be away from home for that long? Do I like the people involved?" When it's written well, a lot of those things go away and you can't not do it.
Even if the script's well written there's something about the life of an improvisation that resonates better than a written word, sometimes.
If something is well-written, it has a chance to be good and if it's not well-written, it will not be good. It could even become popular, but it won't be good.
In my opinion, the vast majority of scripts written - as well as most movies that are released - are not very original, well-written, or interesting. It has always been that way, and I think it always will be.
Comedy crowds - we always want to come out and ask you, 'How you feeling?' We always say that, 'By a round of applause, how do you feel?' Right? 'By a round of applause, how you feeling?' It's the only place in the world that you judge how you're feeling by a round of applause... There's never like a car accident, people all over the ground, people running over - 'Ma'am! Ma'am! By a round of applause, how do you feel? By a round of applause - she's not clapping!
I haven't written too many political lyrics. Nor have I written any pro-Canada lyrics, any kind of jingoistic, nationalistic cant... That stuff doesn't interest me and I don't even know if I could write that if I tried because I don't really feel it.
I can imagine lyrics becoming better written by smart machines rather than stupid musicians. Songwriters generally have nothing to say. They may as well be replaced by machines.
So, some of the most difficult formal poems that I've written, say one sentence sonnets, I've been able to do those fairly quickly whereas some of the clearest, simplest lyrics that I've written have taken me the longest to get to the clarity of feeling that you're looking for.
I have written my work, not as an essay which is to win the applause of the moment, but as a possession for all time
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