A Quote by Grace Slick

When I was between the ages of five and nine, the soldiers of the Second World War wanted to have Betty Grable, but I wanted to be Betty Grable. She was the epitome of an alluring woman; she had it all as far as I was concerned.
I was never the glamorous type like Betty Grable.
I was very entertained by Betty Grable and Judy Garland.
Betty White is a riot. She is a good time! That is the bottom line: Betty White is a good time. She is really an incredible woman. She is so kind. She doesn't have one mean bone in her body, and she is the funniest woman in the room always. And you'll never hear one complaint from her.
When I grew up, you wanted to look like Marlene Dietrich, Betty Grable. Fortunately, I didn't know that I really wanted to look like Lena Horne. When I grew up... black stars were stigmatized. Nobody wanted to look like Lena Horne.
Betty White's Sue Ann Nivens was classic... She had done so much with that man-crazy character! Betty made every moment count. She still does. I've declared her an American treasure, because she is just that.
I will have one of the cleanest obits of any actress. I never did cheesecake like Ann Sheridan or Betty Grable. I just used my hair.
I can taste a meal and tell you every spice that's in there. I have taste buds like Betty Grable's legs - they should be insured with Lloyd's of London.
This phenomenon with Betty White is so wonderfully amazing. In a world where ageism runs rampant, out of left field, all of a sudden, the country decides to celebrate Betty White, and she becomes cool at 90. That's remarkable.
I always wanted to work with Betty White, because she is one of my heroes of all time, and I just love her.
For some reason, the movies in the '40s have the best personalities: Jimmy Stewart, Gary Cooper, Betty Grable, Gene Tierney, and all those people. For some reason, I seem to gravitate more toward the '40s, and I don't necessarily know why. I just love the people.
We're separated, and I regret to say that we just don't seem to hit it off. I don't know what Betty's plans are. Perhaps she plans a divorce. As far as I am concerned, that doesn't fit in with my scheme of things.
Salma and I had run into each other once or twice at film festivals because I was doing the press for Real Women Have Curves at the same time she was doing the press for Frida. She had seen Real Women Have Curves, and when the idea of Ugly Betty came up, she thought of me. Her enthusiasm about the project was so infectious-she spoke of it with such expectation. Everyone that was involved was really excited about the project. I really wanted to be a part of it.
When we were arguing on my twenty-fourth birthday, she left the kitchen, came back with a pistol, and fired it at me five times from right across the table. But she missed. It wasn't my life she was after. It was more. She wanted to eat my heart and be lost in the desert with what she'd done, she wanted to fall on her knees and give birth from it, she wanted to hurt me as only a child can be hurt by its mother.
My mother was the first woman in the county in Indiana where we were born, in Jay County, to have a college degree. She was educated as a pianist and she wanted to concertize, but when the war came she was married, had a family, so she started teaching.
Our Betty Cooper is still the girl next door - she literally lives next to Archie. And she's the blonde all-American girl; she's so sweet and forgiving, gives people the benefit of the doubt and second chances, wears her heart on her sleeve. But she's also incredibly broken on the inside, for many different reasons.
My mother wanted to be president of the United States. She wanted to be the first woman president. She was born in 1924. Instead she had eight children.
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