A Quote by Grace VanderWaal
I like to make little movies or fake stories about something that happened in my life. I will make a movie in my mind that would translate the same feeling or emotion that I had in whatever just happened.
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I mostly like documentaries, so I always think things that happened in real life are so astounding that why would you make a movie about something fake.
When we were shooting the movie, and of course in the editing room we had to make choices, but the shots fall almost exactly where we thought they would. They're not about content; they're never meant to be about what just happened. There's that weird phenomenon where the more you like a movie the more your mind wanders and goes all over the place.
What I would do is when I was younger I would draw in a sketch book something that happened in my life and then write a little something on the side about what happened or what the story.
I think it will bring back discussion about Columbine. When Columbine happened it was the topic of the week, and we shouldn't have just moved on to something else. Whether people like the film or not, it's going to make them think about what happened.
I don't have this feeling like, 'Oh, I want to live in the United States and make movies and become famous just because the money is here.' I like to make movies that tell stories that I care about.
I don't have this feeling like, oh, I want to live in the United States and make movies and become famous just because the money is here. I like to make movies that tell stories that I care about.
I like the idea of doing a little movie every week. When you do a movie, you don't know when it's going to come out. In a year, you forget about it. I forget stories that happened on set. I forget who I worked with. I forget my lines, my characters' names. This is so fresh. We make it, and it's on TV. It feels more like a living, breathing thing.
In fiction you can make up everything to create the feeling. You can manufacture a story with whatever tools you want. With nonfiction you have to rely on what actually happened to describe what you're feeling. That's hard. You have to know what will feed into the emotion you're trying to convey. And that's hard because you don't necessarily know what causes your emotions.
I had wanted to be a movie star and had thought I would be a movie star since I was very little. It was just something I saw in my future. But somehow when it happened, I wasn't ready for it.
There was one moment, and it happened in school. I had a big final exam - we were supposed to write a 20-page report on this book about Houdini. I probably would have loved reading it, but I didn't, so I just decided to make a little super-8 movie based on it. I tied myself to the railroad tracks and all that. I mean, this is kid stuff, but it impressed the teacher, and I got an A. And that was maybe my first turning point, when I said, 'Yeah, I wouldn't mind being a filmmaker.'
If I was one of the leaders...if I was just a leader of one of these studios what I would do is I would go to all my cohorts who run other studios and say let's make a deal. Let's each of us make three 3D movies a year or whatever the number is. Let's not take every movie and make it a 3D movie. Let's take our three tentpoles or whatever movie it is so you have a specialness to it.
When I would be on the stage singing, I would see a movie of something that happened, I would be telling the story. I would be describing the story in sound, but my goal would be to make somebody else run their own movie.
I had the experience of a monk copying documents, applying myself assiduously to my work. And I thought whatever happened, happened - this is just what I do in my life.
Our vision is to break the projects into stories that must be told, stories that we would like to tell and stories that people go to movies for. If we can find great scripts that fit these three categories, we will go out and make a movie.
You know, Michael, I used to sit around looking for a way to make sense of what happened, like there was some kind of answer I could find if I just looked hard enough. Then one day I realized that if there had been one, Dave would still be here. And I wondered if this...this feeling that I couldn't figure it all out...was what Dave had been feeling, too.
His mind worked fast, flying in emergency supplies of common sense, as human minds do, to construct a huge anchor in sanity and prove that what happened hadn't really happened and, if it had happened, hadn't happened much.
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