A Quote by Gracie Gold
If I were packing for a deserted island, I would bring sunscreen, a water purifier, something to start a fire with, my sister, and something for protection.
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I started a business with my cousins in Fire Island called 'Wagoneers.' Since there are no cars on the island, we would hustle people at the ferry docks to bring their luggage to their houses in our wagons for a large fee.
When I was doing Dobie Gillis, I got blasted off to the moon with a chimp in a rocket, and I landed on a deserted tropic island. That should have told me something was coming.
If I was stuck on a deserted island, I would have guacamole.
I was always around people who were in the business from the time I was an absolute baby. I grew up in New York City, and my parents, my sister, and I had a house on Fire Island, and they were part of a set of people that were all close and friendly, most of whom were involved in show business in one regard or another. So it was always familiar to me, and I kind of enjoyed it.
You have to kill to survive. People have been doing it forever. I eat meat, and I eat fish. If I were on a deserted island I would need that to survive.
Fire is a symbol for so much. It's a symbol for change. It's a symbol for destruction. Out of the ashes of that comes an opportunity to start over. It's one of the greatest metaphors in nature that you can possibly lean on, especially as a songwriter. You're trying to describe either something coming to a complete and utter end or something that is in flux, or something that's on the verge of becoming something else.
When I was trying to impress Kate, I was trying to cook these amazing fancy dinners and what would happen was I would burn something, something would overspill, something would catch on fire and she would be sitting in the background trying to help, and basically taking control of the whole situation, so I was quite glad she was there at the time.
I don't know if [Samuel] Beckett is something you ever bring to the beach - get out of the water, towel off, and start reading some of "The Unnamable." Although, because it's the kind of book you can open to any page and start reading, it is beach reading in that way.
Archetypes resemble the beds of rivers: dried up because the water has deserted them, though it may return at any time. An archetype is something like an old watercourse along which the water of life flowed for a time, digging a deep channel for itself. The longer it flowed the deeper the channel, and the more likely it is that sooner or later the water will return.
Maybe my sister and I shared more than we thought. We were both waiting and wishing for something we couldn't completely control: I wanted to be alone, and she the total opposite. It was weird, really, to have something so contrary in common. But at least it was something.
Don't keep rewriting and polishing something if it isn't setting the world on fire: start something new instead and consider the earlier story a learning experience.
I was sleeping in a water bed for a couple of years, recommended by my doctor. I was never comfortable in that water bed. In the middle of the night you would hear something happening - water and bubbles. I would always think there was some intelligent life in the water bed.
Well, I used to have a sister, but I never got to meet her because she died after two days, I think. So if I got a tattoo, it would probably have to be something to do with my sister. I actually want to get a tattoo when I'm older of something about her.
I wanted to see something in full daylight; I was sated with the pleasure and comfort of the half light; I had the same desire for the daylight as for water and air. And if seeing was fire, I required the plenitude of fire, and if seeing would infect me with madness, I madly wanted that madness.
I was not a band geek, per say. But me and my two older sisters played instruments, so I would come home and my sister Dana would be playing the clarinet or playing the piano, and I would play the saxophone, my other sister would be singing, my mom would be singing. I was not afraid to be musical. That was not something that I thought was uncool.
Earth, Wind & Fire was something new. I wanted to bring something innovative to the music. It was out of a desire to create excitement with music that was pleasurable to play and listen to.
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