A Quote by Graciela Iturbide
When I'm taking pictures I even forget that I have a camera. When I shoot I forget about everything. Light comes, death comes, people go in and out in costume - and it's like a play.
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When I have sex with someone I forget who I am. For a minute I even forget I'm human. It's the same thing when I'm behind a camera. I forget I exist.
Forget the camera, forget the lens, forget all of that. With any four-dollar camera, you can capture the best picture.
I just use [the camera]. I just pick it up like an axe when I've got to chop down a tree. I pick up a camera and go out and shoot the pictures I have to shoot.
I believe that no matter what happens, or where we go, or if there's an afterlife, that we'll always be connected. Not even death can make me forget you, or forget that I love you.
It's hard to remember, when you look at a magazine or when you look at pictures of people, and you forget that those people are people like you. They have flaws and insecurities. That's so easy to forget, even for me, as somebody who's sometimes in those magazines.
It's hard to remember when you look at a magazine or when you look at pictures of people, and you forget that those people are people like you. They have flaws and insecurities. That's so easy to forget, even for me, as somebody who's sometimes in those magazines.
Working on television is therapeutic to me. When that camera comes on all negativity vanishes. I forget about the fight I had with my neighbor. I forget about the pain in my left foot. I forget about my dog dying. Performing, for me, is an emotional cure all.
We take pictures because we can't accept that everything passes, we can't accept that the repetition of a moment is an impossibility. We wage a monotonous war against our own impending deaths, against time that turns children into that other, lesser species: adults. We take pictures because we know we will forget. We will forget the week, the day, the hour. We will forget when we were happiest. We take pictures out of pride, a desire to have the best of ourselve preserved. We fear that we will die and others will not know we lived.
Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life.
I like the idea of doing a little movie every week. When you do a movie, you don't know when it's going to come out. In a year, you forget about it. I forget stories that happened on set. I forget who I worked with. I forget my lines, my characters' names. This is so fresh. We make it, and it's on TV. It feels more like a living, breathing thing.
You forget all of it anyway. . . You forget who was cool and who was not, who was pretty, smart, athletic, and not. . . You forget all of them. Even the ones you said you loved, and even the ones you actually did. They’re the last to go. And then once you’ve forgotten enough, you love someone else.
.. I get more of a dreamy thing from the audience - it's more of a thing that you go up into. You get into such a pitch sometimes that you go up into another thing. You don't forget about the audience, but you forget about all the paranoia, that thing where you're saying, 'Oh gosh, I'm on stage - what am I going to do now ?' - Then you go into this other thing, and it turns out to be like almost like a play in certain ways
I always feel like everything I shoot is a student project, and nobody else knows about it. I forget, in the moment, that other people will see it.
I always feel like everything I shoot is a student project and nobody else knows about it. I forget, in the moment, that other people will see it.
That is part of why we must keep talking about Fannie Lou Hamer and about our history as a party and as a nation. We can't forget. If we forget, we can get self-righteous. We are great, but we had to grow into that greatness. Let's not forget that we shut people out.
Anything that's really good, everybody wants to put their hands on. The multimedia puts their hands on it and everything happens that makes it global. Then people forget the roots of it and people forget why they care about it, and then it gets torn apart and turns so commercial that you don't even know what the essence of this art form is even about.
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