A Quote by Graeme Le Saux
I was pleased that two very disparate photographs, two images that each worked in their own way had appealed enough to other people for them to buy them. I was also relieved they weren't the last ones purchased, and that they sold for a pound more than the frame was worth.
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Look at Macklemore! Perfect comparison, we're two artists from the same city who both had meteoric rises at different periods. I probably sold more albums, because in that era you couldn't steal them; you had to go to a record store to buy them. But Macklemore had more power.
To see something marvelous with your own eyes-that's wonderful enough. But when two of you see it, two of you together, holding hands, holding each other close, knowing that you'll both have that memory for the rest of your lives, but that each of you will only ever hold only have an incomplete half of it, and that it won't ever really exist as a whole until you're together, talking or thinking about that moment ...that's worth more than one plus one. It's worth four, or eight, or some number so large we can't even imagine it.
Once, I discovered the skulls of two impala rams, their horns locked into an irreversible figure-of-eight; the two animals had been trapped in combat, latched to each other during the battle of the rut. The harder they had pulled to escape from each other, the more intractably stuck they were, until they had fallen exhausted, to their knees, in an embrace of hatred that had killed them both.
When you see love between two persons, something is flowing, moving, changing. When there is love between two persons they live in an aura, there is a constant sharing. Their vibrations are reaching to : each other; they are broadcasting their being to each other. There is no wall between them, they are two and yet not two - they are one also.
Coupling doesn't always have to do with sex ... Two people holding each other up like flying buttresses. Two people depending on each other and babying each other and defending each other against the world outside. Sometimes it was worth all the disadvantages of marriage just to have that: one friend in an indifferent world.
Two-thirds of the Iranian people would like to be reconciled with the West. They don't like the fanaticism of the governing religious council. It's the only place in the world where the last six elections have been won by the more progressive candidate, two for president, two for the mayors, two for the parliament. So most people there are sympathetic to the world we Americans want to build, whether we're Republicans or Democrats. On the other hand, almost everybody there wants them to have nuclear power. They see it as a status symbol, and a sense of their own security.
When two texts, or two assertions, perhaps two ideas, are in contradiction, be ready to reconcile them rather than cancel one by the other; regard them as two different facets, or two successive stages, of the same reality, a reality convincingly human just because it is too complex.
When two people loved each other they worked together always, two against the world, a little company. Joy was shared; trouble was split. You had an ally.
Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff: you shall seek all day ere you find them, and when you have them, they are not worth the search.
I'm actually not so sure what I'm hoping to find making photographs. You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people. I don't know how I go about it. I also don't know how exactly what I set out to get other than these two things.
Images anesthetize. An event known through photographs certainly becomes more real than it would have been if one had never seen the photographs ... But after repeated exposure to images it also becomes less real. ... 'concerned' photography has done at least as much to deaden conscience as to arouse it.
I mean that two of any thing is a most uncomfortable number. One may do as he pleases. Six may get along well enough. But two must always struggle for mastery. Two must always watch each other. The eyes of all the world will be on two, uncertain which of them to follow.
Value investing strategies have worked for years and everyone's known about them. They continue to work because it's hard for people to do, for two main reasons. First, the companies that show up on the screens can be scary and not doing so well, so people find them difficult to buy. Second, there can be one-, two- or three-year periods when a strategy like this doesn't work. Most people aren't capable of sticking it out through that.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
The interaction between math and physics is a two-way process, with each of the two subjects drawing from and inspiring the other. At different times, one of them may take the lead in developing a particular idea, only to yield to the other subject as focus shifts. But altogether, the two interact in a virtuous circle of mutual influence.
The British Fashion Awards are also very important because it's my hometown. But it's really a recognition of my team, and those awards give me an opportunity to thank them in a formal way. You and I have worked together enough to know that it really isn't about two people. It's a whole team. And so it's great to acknowledge that you never do anything alone.
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